mainstreetprod
Veteran
As a sound mixer, I will never understand why there is so much hate for sound, why it is always viewed as a pain.
Sound helps you tell a story, it's not your enemy, sound is your friend.
I think you are, sadly, one of those "directors" that seriously lacks education in this particular domain.
Yes, the sound mixer is generally the crew member that complains the most on the set. But it's just because we want do our job AS GOOD AS POSSIBLE.
Maybe you've had only bad experiences in the past with the members of the sound department and that traumatized you in some way ?
A movie without sound is boring and ininteresting, even if it's got the best story. Remember that most well renowned directors always say that sound is half of the cinematographic experience, that it's as important as the moving pictures (they only SAY IT though...).
I don't blame you wanting to do a "silent" movie, but you just seems to want to do it for the bad reasons.
As someone said in another post, you should also do your next project without a camera too.
Cordially,
Stéphane Blanchardon.
I think you misinterpret a bit. I'm about as sound friendly as it gets - long time audiophile, have run sound reinforcement for churches professionally, guitarist & harmonica player with a room full of sound gear, possess all the boom and mic gear necessary to shoot a feature. I even wrote an article on our blog about the importance of production sound:
http://faithflixfilms.wordpress.com/2013/03/17/how-to-get-great-production-sound-the-basics/
Our past films were shot only with a boom op, so it was up to me to get the levels right while shooting and later to do the "rough" post production work, including the score, done with stock music. We had a pro do the final mix. I'm quite proud of the final product - both movies got DVD distribution and the distributors were happy with the sound. My hearing is suffering due to many years of sound work, yet on our "just above no budget" movies, I can understand every word of dialogue. Can't say that about quite a few higher budget films I've watched.
My wife writes and directs our films. Our decision to shoot MOS came from a conversation we had about faith based movies. Many are considered lame because they have cheesy dialogue. It occurred to us- what if you got rid of the dialogue? And it developed from there.
My "10 reasons" post was not intended to tick off sound mixers. It's simply a statement of how liberating it is to not have to deal with sound issues while shooting a movie- nothing more. I know from experience how hard production sound is to get right and have nothing but respect for professional sound mixers. Next time we shoot conventional feature, I hope to have the budget to hire not only a boom op but also a mixer to raise the bar a bit.
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