10,000 hours

1. The idea that DNA + practice = genius is bogus.
Nonsense. There simply ARE more talented people than others. Any number of chess prodigies or musical prodigies will testify to this. If a three-year-old can pick up and play the violin, and another three-year-old can't, what does that tell you? It tells me that their life experience, and their environment, and their nurture and all that, are fairly meaningless in the context of whether they have "it".

Doesn't mean practice isn't important, as it clearly is. Any three-year-old prodigy, vs. Bobby Fischer in his prime, is gonna get wiped off the floor.

And I can study and study and study chess, study its history, study the great games, but if my brain is physically incapable of making the connections that the prodigy's brain can, then I will lose to them. Period. I can be better than folks with my equivalent innate talent level, yes, practice can take me above them. But I could never compete with those who have the "chess gene".

Some people just have more gifts than others do, and sometimes in a substantial way. I watched an episode of ... what was it called, "Stan Lee's SuperHumans"? I saw guys on there who could calculate any number of complex calculations in their head, instantly. I saw a guy who could -- I kid you not -- he could draw a samurai sword and slice a pellet gun pellet in half, that was fired at him. They took him out to a field, pointed a pellet gun at him, and pulled the trigger -- he drew the sword and sliced that tiny pellet in half before it hit him. And he did it twice, on camera.

"Regular", rank and file humans cannot do these things. It is impossible. They dug into why these folks are different. They did brain scans and all, showing how they actually were using different sections of their brains and whatever.

Some people have a gift. Those people, with practice, can become absolutely great at what they're good at. And they have capabilities that far exceed those of the average person. Of course, they probably have corresponding deficiencies in other ways that far exceed an average human's; Einstein is reputed to not be able to remember his home address or to zip his pants up (true or not, I don't know).

You cannot change your fundamental hardware. You can only refine and improve it as best as possible -- through practice and effort. And you can almost invariably get much better than you were. But, like it or not, there simply are folks who have a genetic advantage. Their brains work differently. They have the ability to process information in ways that average people don't. And when one of those people puts in the effort too, that's when true greatness is possible.

2. The idea that "you either have it or you don't" is a cliche without content. Linguistically that phrase is meaningless. The word "it" means nothing. Are we talking about magic? A human soul? God? DNA? To keep pointing to "it" means there is something. That something must be more complex than the word "it," right?
See above. In my view, the "it" depends on the field of success, but in any field I think it would be an ability to process information that's relevant to that task, superior to how others can process that information. And, again, it would refer to "prodigies" -- those who clearly and obviously have a "gift" beyond normal people. That gift may be the ability to see a chess board and envision the next 20 moves, when your opponent simply cannot. Or it may be the ability to process calculations in the visual cortex center of the brain (if I remember right, that's what the Stan Lee SuperHumans show concluded, that the guy was using the spatial visual cortex area of his brain to do math calculations). Or it may be the ability to feel music on an entirely different level, such that they can play by ear. Or it may be a gift for seeing connections and reverberations and patterns that makes someone able to tell a story with layers of context and subcontext that reach people on an entirely different level than the ordinary person is able to accomplish.

3. We do not understand the genius of the Bergmans and Kubricks of the world. But we can try. This is what I have been trying to do. I admit not knowing the full answer. The truth is mysterious, unknown. But we can at least ask questions, right? We can hunt for these answers to make ourselves better, otherwise we're giving up.
Okay, here's where I become confused. You have previously asserted that there is no genetic difference, that anyone with practice can become them (if I understood you correctly). And now you say that we cannot even understand them. Which is it?
For my piece, I put them in the same class as a piano prodigy, a Beethoven, or a chess prodigy, or a math prodigy, or a Michael Phelps. They are storytelling prodigies.

4. I've suggested genius has something to do with psychosocial development and philosophy of life. This is a fairly comprehensive understanding of all the developmental and educational processes an individual goes through. I can't believe nobody has suggested that personal experiences, childhood, relationships, religious/nonreligious beliefs, etc. have anything to do with a person's storytelling. How can we look out at the infinite variability of the universe and call all we don't know "it"?
Of course all those things have substantial effect on someone's storytelling skills. But I would question whether they have much to do with whether a person has "it". You know a person is a piano prodigy when they're three and they can play a complete symphony without even being able to read music! And a three-year-old doesn't have any substantial personal experiences, hasn't had much of a childhood, may not have any relationships beyond parents, wouldn't know a religious belief from an episode of My Little Pony, etc., but regardless of all that, they still have "it".
 
Einstein had the same extraordinary brain scans. At the same time, many of his theories would point to "genius" being present inside every one of us, the key is that some people have a crystal clear path to it and they are the ones given the distinction of genius. The majority have things in the way, so it becomes a process of battling through those obstacles to become great at something or to find moments of greatness. A genius just walks right up and does it.

Whether or not someone's work resonates becomes a whole different ball game, which is why even those given the gift of genius have to work and go through hardships and rough times. Look at just about any writers biography, it's usually a very tumultuous tale.
 
What Barry said, and quite well at that :)

IT is beyond the physical realm which is why it's called "IT" or "Gift" or whatever. It's there or it's not. Call it what you want, but "IT" exists and when something's not tangible or scientific, it makes it all that much harder to understand, but doesn't mean it's not real.
 
Okay, here's where I become confused. You have previously asserted that there is no genetic difference, that anyone with practice can become them (if I understood you correctly). And now you say that we cannot even understand them. Which is it?
For my piece, I put them in the same class as a piano prodigy, a Beethoven, or a chess prodigy, or a math prodigy, or a Michael Phelps. They are storytelling prodigies.
Do you know what I mean by "psychosocial development" and "philosophy of life"? Never have I claimed practice alone is what makes a genius. It's all about a way of seeing the world. It's poetry.

Again, many of you talking about the word "it" are on opposite ends of understanding. About half of you think "it" is DNA and the other half are pointing at magic. Still, the magic mindset is a better one to make good movies.

Out of curiosity, those who think a filmmaker needs the right DNA, when did you realize you didn't have it? At what point did you quit aiming at art because you weren't a genius? Or, do you still think you might have "it"? If you now are only aiming at "good enough," is it because you don't think you're a genius?
 
Sorry have not read any of this thread... Don't have the time: I have about 7456 hours of filmmaking I need to do...
 
Sorry have not read any of this thread... Don't have the time: I have about 7456 hours of filmmaking I need to do...

Haha, I only have 2000 hours left at becoming an expert on reading this thread.
 
Let me try to be the third half, Drew ;-)

Very interesting theory. As I understand it, you're saying our brains have all sorts of computing potential, and our experiences help us "activate" those cognitive pathways.

I don't agree or disagree necessarily, but I should say that's probably as good of a possibility as we could arrive at.
 
I'm reading a book titled Outliers, by Malcolm Gladwell. In a nutshell, getting to the point where you have practiced or engaged in something for 10,000 hours + is what is going to push you to different level - the Bill Gates' and Mozarts' of the world. The super achievers. It argues there is no such thing as genius, only commitment to craft.

With all due respect, I don't think you've captured the essence of Outliers correctly and that might unintentionally be leading to confusing responses. As an example, Gladwell doesn't argue that "there is no such thing as genius." In fact, he devotes two entire chapters about "The Trouble With Geniuses" (please don't quote me on the exact chapter titles as I don't have the book in front of me and it's been a couple of years since I read it). Clearly, Gladwell recognizes that there is such a thing as "genius" but indicates that it -- like many other things -- cannot solely predict/influence/produce success.

In one of the more well-known quotes from the book, Gladwell states, "...the people at the very top don't work just harder or even much harder than everyone else. They work much, much harder."

But here is the rest of that quote (emphasis added): "Once a musician has enough ability to get into a top music school, the thing that distinguishes one performer from another is how hard he or she works. That's it. And what's more, the people at the very top don't work just harder or even much harder than everyone else. They work much, much harder."

So once again, Gladwell recognizes something beyond pure effort. In this case, it is ability.

Switching gears just slightly, there is a fascinating article in the August issue of Wired Magazine. Actually, there is another fascinating article about Neil Blomkamp and Elysium in the same issue but that's not the article to which I am referring.

The article examines geniuses and what makes them so smart. Here is one quote: "On an individual level, the evidence points toward a strong genetic component of IQ. Based on studies of twins, siblings, and adoption, contemporary estimates put the heritability of IQ at 50 to 80 percent..."

IQ isn't the only measure of intelligence? OK. Fair enough. But...

"The frightening upshot is that IQ remains by far the most powerful predictor of the life outcomes that people care most about in the modern world. Tell me your IQ and I can make a decently accurate prediction of your occupational attainment, how many kids you'll have, your chances of being arrested for a crime, even how long you'll live. (from the same article)"

How does that article relate to Outliers? Maybe not at all except that Gladwell asserts that success is far more complex than genius, talent, effort, etc. As it relates to opportunity, Gladwell states...

"The lesson here is very simple. But it is striking how often it is overlooked. We are so caught in the myths of the best and the brightest and the self-made that we think outliers spring naturally from the earth. We look at the young Bill Gates and marvel that our world allowed that thirteen-year-old to become a fabulously successful entrepreneur. But that's the wrong lesson. Our world only allowed one thirteen-year-old unlimited access to a time sharing terminal in 1968. If a million teenagers had been given the same opportunity, how many more Microsofts would we have today?”

Gladwell asserts that 10,000 hours are required to establish expertise. But he never suggested that expertise = success.
 
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Here are two good blog posts about DNA (part 1 and 2): http://thelastpsychiatrist.com/2009/10/the_problem_with_science_is_sc.html
http://thelastpsychiatrist.com/2009/10/more_on_amygdala_anxiety_and_m.html

I suspect that if nobody has bothered to google "psychosocial development" to try to understand my POV, then someone reading through these links is even less likely. Too bad!

Do you believe that everyone has the same potential? Just different "inputs" which result in different skill sets? I know you are disagreeing with the "some people are just better at certain tasks" idea, but I do not know what you are arguing for.

I do not think anyone would disagree with psychosocial development concepts. We all realize that we are effected by externals.

You are at times even contradicting yourself. It seems you are arguing from an emotional base, but if you could articulate what you are trying to get others to understand, that might help you make your point. Instead of arguing against the "it" and the "gene" idea, for a second, tell us what you are getting at. Even if you are just exploring, that helps others understand where you are coming from. But simply arguing against the idea of "it" will get people arguing against you for it and if you do not make some sort of point, then people won't know how to understand your POV, because your POV is not established nor cohesive. In other words, you do not have a POV. And if you want everyone to read between the lines, then you are asking quite a bit.


From what I can see, you do not like the idea of "it", because in your mind, it excludes many people from the possibility of being great. But you do like the idea of wave lengths and psychosocial development... which end up amounting to the same restrictive result: few will be great.

Saying that you have to have "it" is not saying exactly what profession or art you will be great at. That is up to you. And if you choose something you are not great at, then blame your psychosocial development for influencing your convictions and decisions.
 
As I understand it, you're saying our brains have all sorts of computing potential, and our experiences help us "activate" those cognitive pathways.

What I try to say was: Nobody should reduce the equation to that it's either DNA or mystics.

I tried to explain why something that we call "talent" is in my view such an extremely complex and multilayerd "superstructure" which is - while in most terms inexplicable for us currently - a reality in certain brains .... and how a different way of looking at it may free us from discussing it in the above - in my view wrong - dualism.

So that there are extremely complex field of abilities working together and forming "talent" which are - while real as we can see the results - neither mystical things nor does it makes much sense to search for the point where a genetic code is not spelled G,A,T,C but K,U,B,R,I,C,K.

And that while a lot of "talent" may indeed be developed by learning and yearning and dedication, it's perfectly both un-mystical and un-mechanical to accept that some brains can develop extremely special and complex abilities very early in life without any learning or education of even motivation and that such brains have an advantage, a big one. Some. A few. But that our chances - we the "lesser gifted" - of getting somewhere may be also be much bigger at times than we may think. That we are not confined to the realms of a genetic prison or an unlucky destiny.

So what I tried to do is to bring in a different view off a more dynamic understanding of the brain. And maybe I shouldn't have done that. Will discuss that with my brain later.

Meanwhile have a look at "The Mind Traveller", the BBC series by Oliver Sacks. It opens a lot of doors inside heads.... ;-)
 
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Totally agree with this ^^^^^

There are so many factors at play. Genius, though an incredible advantage, does not automatically = greatness. Applied intelligence is very important to reaching the goal of "greatness", esp in the world of the arts.
Person 1 - Can just flat out play the piano, a true genius. But this person is introverted, spends much of his time in his own mind....awkward if you will. To this person the playing of the music just IS. It's what he does, but he doesn't feel a need to "market" himself, to try to be popular, or play in a popular style. Because in his mind, he is just doing what is natural...like breathing.
Person 2 - Is a trained player since childhood, not some super genius, but a person with gifts none the less. This person understands the trends in music, understands the audiences and is driven to reach them and has the extroverted personality to do that.

Person 2 will have a greater likelihood of being DESIGNATED great than Person 1. Not because of gifts, Person 1 is more gifted...and not because of the number of hours... they both spend countless hours devoted to their work.
It is because Person 2 applies his hours to a certain goal that will yield the "public perception of greatness trophy". Person 1 may write masterpieces far exceeding Person 2 in pure craft, yet the world will never know.

I can think of countless examples off the top of my head of this occurrence in music. I suspect it happens in other areas of the arts as well... a lot.
 
Do you believe that everyone has the same potential? Just different "inputs" which result in different skill sets? I know you are disagreeing with the "some people are just better at certain tasks" idea, but I do not know what you are arguing for.

I do not think anyone would disagree with psychosocial development concepts. We all realize that we are effected by externals.

You are at times even contradicting yourself. It seems you are arguing from an emotional base, but if you could articulate what you are trying to get others to understand, that might help you make your point. Instead of arguing against the "it" and the "gene" idea, for a second, tell us what you are getting at. Even if you are just exploring, that helps others understand where you are coming from. But simply arguing against the idea of "it" will get people arguing against you for it and if you do not make some sort of point, then people won't know how to understand your POV, because your POV is not established nor cohesive. In other words, you do not have a POV. And if you want everyone to read between the lines, then you are asking quite a bit.


From what I can see, you do not like the idea of "it", because in your mind, it excludes many people from the possibility of being great. But you do like the idea of wave lengths and psychosocial development... which end up amounting to the same restrictive result: few will be great.

Saying that you have to have "it" is not saying exactly what profession or art you will be great at. That is up to you. And if you choose something you are not great at, then blame your psychosocial development for influencing your convictions and decisions.

I can't keep sharing my ideas if you don't read my words. I haven't contradicted myself, or mentioned wavelengths, or implied that "everybody is great."

I will not reiterate my opinions. They are in this thread, probably before you started reading (skimming, rather).

If you really want to create cinema, but you gave up because you aren't a genius--DNA, magic, God, or otherwise--then you have failed. To believe anything other than, "I gave up," is denial.
 
If all of that came down to "you can be anything you want if you only want in enough" then I recommend being a bit careful here: What if genetic dispositions have a say in what we want?

I have seen people on the other hand being deeply hurt or even destroyed by an over-eagerness of either their parents or themselves to do something they just couldn't do well - and saw some of them being successful human beings in another field if they found one better suited to their talent ..... or they "configured" their horizon of expectations accordingly. Which is not "giving up" but being realistic.

Realistically I see this thread heading to the world of circular reasoning. And roundabouts make me dizzy... ;-)
 
I suspect it happens in other areas of the arts as well... a lot.

Reading some success novels or looking at paintings that are sold for incredible amounts of money I bet you're right ... but then: different things may "talk" to different people differently.

I quit.
 
I spend the last 45 minutes reading this entire thread and half way through it was quite obvious that some of the participants were going to end up pulling their hair out- topics like this usually turn out this way. I'm surprised and thankful it got as far as it did. Great points!

Not very popular but this book might interest many of you - http://www.amazon.com/The-Souls-Cod...id=1375407127&sr=8-1&keywords=the+soul's+code

IMO, some are born with it. For the sake of my argument, let's accept and understand "IT" as if a sports announcer said "Folks, he's just born with it". Screenwriting is an awful medium to apply this "IT" argument to but it still does apply IMO. Sports is where I think it's represented best. I believe a basketball player just as intelligent, athletic, experienced, gifted... as Michael Jordan who has put in more hours of work will NEVER be better/greater or more successful than Jordan no matter how hard you try to teach him whatever he needs to make him better than Jordan, unless he was born with "IT". I remember being surprised at the reaction of Jordan's teammate and coach after his "final" shot. - Down by 3 points... http://www.youtube.com/watch?v=PRCTp57LQro

"You're f***ing unbelievable!" - Steve Kerr, teammate who had already won 2 championships with Jordan and is still the most accurate 3-point shooter in NBA history.

"Oh my god, that was beautiful. What a finish!" - Phil Jackson, considered one of the greatest NBA coaches, had already won 5 championships with Jordan.
 
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