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We all have our opinions!Frankly I wish everything was shot at 24 fps, with film look, including news and sports. NFL Films' 16mm coverage of football is the only kind I like.
I've shot some hand cranked film before, mostly in a 1908 Pathe Feres.
http://collection.sciencemuseum.org...-freres-cinematograph-35mm-camera-cine-camera
They were designed so that each crank or revolution exposed 8 frames.
So 2 revolutions or cranks per second was a good number to aim for. 2 cranks x 8 frames equals 16 fps. Apparently the camera operators used to sing little ditty's to themselves to keep in time.
Hand cranked footage doesn't turn out the way you think it does. Using modern stocks and processing you can BARELY TELL it's hand cranked. We had more success in making something look more hand cranked by loading the film backwards and shooting through the base. This recreated the splotchy uneven processing that was prevalent at the time.
You can't really tell that footage is hand cranked unless you go out of your way to make it uneven. It doesn't flicker in the cliched way we think it does.
Here's a post about the passing of my mentor. I'm in the photo in the back but I did a lot of testing with this camera leading up to this shoot.
https://johnbrawley.wordpress.com/2011/05/06/in-memory-of-john-bowring-acs/
jb