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I got this client of my client that keeps on coming with so many strange comments and the latest was this woman who I shot last week with my EX3. My Clients client don't think it's warm enough or that her tan shows in the video. To me this looks just fine. I even made the tone warmer to aim to...

I have the highest respect for gaffers and although I can set a light or two I'm just an amateur in comparison. I've done so many commercials and they guys who are already on set when you as a DP arrive are the gaffers and when you'r packed and ready to go the gaffers are usually the ones...

If you need to ask what is needed I'd say you are not qualified. There's so much silent knowledge going on.

I would like to hear from users of the Optitek Prolock using Canon lenses on Sony F cameras. In your experience, does it work with all lenses and situations without problems? Have you used any other Canon to FZ adapter and can compare pros and cons? Do you have pictures to share on how it mounts?

A couple of months ago I shot some key scenes for a director and his feature which he’ll try to raise funds to make. It was a few hectic days to get it all done and we had a small team and few actors. It’s all in Swedish so to explain the story it’s about a guy struggling with his relation...

These are some samples from a drama feature I shot this weekend. There where many difficult decisions to make and we actually just shot a few scenes to get a feel for what would work and what wouldn't work. Normally I shoot to prores but this time we just used the internal recording. We moved...

The image above shows four different types of conversion with Rawanizer. So which is which? Take a guess! I know which one makes the best quality. The four options are these and each letter correspond to one of the following options: DNxHD proxy Tiff proxy Lightroom exported tiff Cineform...

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Correct me if I'm wrong but the only cameras below $20.000 with S35 sensor and 1080p 60fps in 10-bit are the F3 and F5? And if I limit this to internal recording only the F5?

I already got hold of an adapter.

Swedish commercial on Kanal5. Camera: Sony PMW-F3 Lenses: Nikon 17-55/Canon 100L Format: 1080/720p prores HQ Slider: slidekamera

This is something that has bothered me since I got my F3. Which lenses should I use? At first I thought my set of Canonlenses would do the trick. I have the MTF adapter with Effect box so there's no problem controlling these lenses. My set consist of 16-35/24-70/70-200/24/35/50/100 so pretty...

You do a lighting for the background and one for the foreground so anything the subject wears shouldn't matter as long as it's not the same or about the same colour as the chroma background.

If you do get to much spill I would consider moving the subject away from the chroma background and reduce exposure on the chroma background.

I got a GH3 last week and pretty soon ran into hardware/software issues. The biggest issue I had was with the flash that couldn't be closed. I thought this was a hardware problem and to send a new camera in to be repaired isn't to funny. But when I did a camera reset the problem disappeared...

Two screengrabs with a slight grade. Shot with my F3 and Samyang 24mm.

A former colleague and director asked me if I could shoot this short film based around an idea he pitched for a commercial. We spent one Saturday evening in central Stockholm and a couple of hours the next day for the daylight scene. I think he did a great job moulding my footage into this...

I had a conversation with regards to an item on ebay and the user could end the auction earlier if I bought it for a fixed price. It was a little bit to good to be true but I gave it a try and received a false ebay invoice email outside of ebay. All communication goes through the ebay so I...

S-log recorded to Shuttle in prores HQ 422. I snapped a pic with my Galaxy II to show how this shot was set.

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