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Aaarrghgh!!! I can't find a definitive answer anywhere on the web - everyone contradicts everyone! Ok - Panasonic DVX100a PAL footage shot in 25P. Sequence settings - Field dominance: Do I leave set as Lower/Even as if for interlace footage (because even though progressive, DV still...

Hi Everyone, Shooting a series of live music gigs on stage with usual type of stage lighting. My usual preference (for everything where possible) is to shoot progressive - 25P (I'm in PAL-land). However, I'm really having low-light issues - -those stage lights ain't as bright as they look! As...

OK - new FCP user here - I'm hoping someone can put me out of my misery!! I've trolled the forums looking for answers, so forgive me if this (presumably basic) query has been covered, but I couldn't find it. 3 main questions: 1. I'm shooting on the DVX100a predominantly in 25P with either...

Hey everyone! Forgive me if this has been answered recently...I looked but haven't found anything... Ok, I'm familiar with Matte Boxes for the DVX, and screw in filters etc, BUT.. How the hell can I use a polarizer filter on the Anamorphic, apart from getting the Chrozial (read: v.expensive)...

Ok, so I'm shooting a project that will mix between controlled lighting situations (formal interviews) and just about everything else - outside locations - often in wild parts of developing countries aswell as more "civilized" parts of the western world, sound and vision led cutaways, artsy...

Any of you guys use these? Been checking out the 3 and 4 head 24V/150W lightweight kits. Looks the goods - quite pricey (at least here in Australia!) but amazing accesories and clever ways of getting BIG output.

Have just purchased a DVX100 AE (PAL) and will be shooting a documentary involving a lot of travel, interviews etc, much of this being in developing countries (India, Bangladesh etc). Whilst I'm very keen for a stylized "film-look", I'm concerned about shooting 25P progressive in enviroments...