Okay, check my logic on this one:
I'm producing and editing a doc shot entirely on DVX-100s. Our director has an anamorphic adapter which he always uses on his, the primary camera. Many times we have two or three-camera shoots. We don't have anamorphics for the additional cams. Given that...
I'm looking at ditching my FX1 (there was nothing else available when I bought it) for a 24p cam, either the HVX or the JVC. A friend who owns a local post house has complained often about the post workflow with the JVC and the HDV codec in general. He has loaded via a Firewire-to-HD-SDI...