Recent content by vernallis

Hi I've been getting conflicting reports about how to properly handle 30p workflow. I'm noticing that 30p in a 29.97 timeline has odd interlaced frames... I saw the posting by noah on this a few days ago that no pulldown is needed. but when i set sequence settings to progressive, I am...

take a peeksee if it moves you to comment in the positive maybe do so on the lot site too so the director can be one of americas-most-wanted-top-model-indy-director-idols. someone else got a really big dolly for the shot of the universe, but i took most of the rest. it is all around you...

well... o.k. maybe not high quality. but at least descent enough to be used in printed promo material. Shooting in standard def 720x480 is there a best way to get good stills from video? last week a prodution company said that the jpegs i sent them were not good enough.... they said they...

hi- I have a 24p (23.98 timeline) ntsc short that a festival in greece wants as a pal dvd... at what point do i need to begin converting? do i need to export my original timeline, and then convert it to pal in natress/cinematools, then re-import that quicktime into a pal 25p timeline in...

if this question is down right too open ended i plead no contest, but i have to ask.... for years when i have been capturing my dv footage i have been assuming that how final cut was importing it was at its "highest resolution" (i ashamedly admit that it wasn't until i started shooting...

the situation is like this- the footage was shot in 24pa and edited in 23.98 fcp time line. i tried numerous exporting options and nothing seemed to preserve the resolution and sharpness as well as h264 (actually all the standard exporting choices caused the picture quality to get rather...

Curious if anyone can help with this... I have a documentary that has both dvx100b 24p advance and canon gl1 "framemode" footage to work from. Can these coexist in the same timeline without compromising the resolution/ increasing motion blur? If I need to work in a 29.97 fps timeline for...

Hi- After reading many of the posts on this topic and seeing what should have been done (shooting in 24p not 24pA) i am wondering if there is some remedy for the situation... I am editing a piece where there is footage in both 29.97 ntsc and 24p advance. is there any way to not sacrifice...