I was under the impression that one could nest a 5.1 surround project inside another 5.1 timeline with everything intact but it seems as if every time I do this the tracks downmix to stereo, even if both projects have the exact same settings. But the thing is I've definitely heard that doing...
I see that there's some interest here about super-8 and how it looks transferred to video so I thought I'd post a couple trailers for my nearly-complete feature that I shot almost entirely on Kodachrome, Frankensteins Bloody Nightmare. I was going for a very dirty, experimental grindhouse look...