Skew-Off: EX1 vs. prototype HPX300

...and, I'm a Final Cut Studio 2 kind of guy and haven't looked into it yet - but does FCP support AvcIntra 100/50 yet, or are we doing a transcode to Prores for now?
As of today, Apple's FCP support for Intra is to use Log & Transfer to transcode to ProRes.
 
Yes, both ProRes 422 and ProRes 422 HQ. I've had that available for ages, did they just make it official or something?

In the Log and Transfer panel there is a preferences pane where you choose your transcode settings for both AVC-Intra and AVCHD.

This is also the pref pane where you can choose to remove pulldown from your flagged footage. (pA recording).
 
It's not new as of today (I'm assuming that's what you meant?) What I was saying is, as things stand now, you have to transcode. I don't know whether things will always be that way, but that's the way it is right now.
 
Didn't try 30p. Actually I can't think of why not, but I didn't try it. Should have.

As for 25p, I can't test that, the US market cameras don't do 25p...
 
As this was a prototype, any chance the production version of the camera will "skew/wobble" differently?

The first step in a situation like that is to recognize the problem.
As per Barry's description the engineers were accompanying the test and left wit the same conclusions.
So I guess they will be working on a improvement ASAP. Which might take a while...
 
I'm guessing the test footage that Shipsides posted was shot in 1080/24p because it skewed like a muthuh, whereas the sample Central Park footage wasn't so bad, artifacty as it was.

My original footage was shot almost entirely at 1080 24p. This does explain a lot.

I did some similar tests, with the HPX300 & EX3 locked together, and came to the same conclusions. After reading your results Barry I compared the 720p modes and was really surprised. Great job on the tests.

I wonder if Sony had similar problems with the EX1 originally. Many people complain about the stuttered look of 24p on the EX line. I did not notice this on the HPX300. Perhaps they increased the read out of the chips in 24p which fixed one problem but caused another.

Andy
 
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Although, I don't remember anyone, who owned a Red One, complaining when they increased the readout speed of their CMOS sensor. The problem with the EX1 may be the amount of detail enhancement used.
 
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So, is the read out of the HPX300's sensors adjustable after the fact (by a firmware upgrade?) Just want to make sure, before I purchase.
 
I wasn't at this test, but did preview whatever version of the 300 was out three weeks ago. It does skew in 30p as well. 1080/60i is the least skewed of all framerates and formats. pN is the most noticable.

Any side by side comparison should be conducted on a remote head, where the pan speed is absolutely repeatable.

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Barry (or anyone) have the current production HPX-300's improved the scewing in 1080 24? Mentioned this on another thread here, but selling my JVC HD110 and gear and looking at JVC HM-700 or HPX-300. These tests make me think for mu usage I should look more at the HPX-500 than the HPX-300 for sports and hand held fast work? Not that I mind too much, I liked the HPX-500 when I used it a couple years ago.
 
No improvement, seems not possible with a firware update. Read somewhere that it needs an extra memory buffer (so hardware change). Maybe hpx300a in 2011.


Barry (or anyone) have the current production HPX-300's improved the scewing in 1080 24? Mentioned this on another thread here, but selling my JVC HD110 and gear and looking at JVC HM-700 or HPX-300. These tests make me think for mu usage I should look more at the HPX-500 than the HPX-300 for sports and hand held fast work? Not that I mind too much, I liked the HPX-500 when I used it a couple years ago.
 
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