Deuceofspades
Veteran
Ok, fixed it. You shoud all be able to see photos above and the additional photos I will now upload below:
One moveable side wall allowed me to have better access and shoot with a longer lens, which is my look/trademark. the wall to the right of the bunk will move. because it is L shaped it can stand on it's own, wherever you drag it.
below: The wall Johnny is leaning against is moveable. (Johnny seen here dealing with massive chronic headaches following his car crash).
For this scene I selected one hard light source to produce dramatic shadows. I then used the barn door to control how much of the cell was lit and to keep some of the cell into near total darkness. the garage door was opened for some of the shot, adding a hint of natural light to the shots.
the cell then was converted into a hallway so i could shoot from the persepective of the prisoner this time, looking out of his cell. In fact you are only looking at the same removable wall
below: Officer Brent gives Johnny the above letter
Johnny loses it when he gets the bad news contained in the letter, and trashed his cell, resulting in Officer Yates (the tough bastard) to become ivolved: below, my stunt coordinator / fight choregrapher friend Paul :
since Johnny will not "knock it off", a short, but very intense, beating results.
Look at this screengrabs of Johnny hitting the wall after being hit point blank in the face by the club and notice the shadow to his right. This is Paul's face. Looks like a demon. Really creeped me out when I first noticed it, cause it was absolutely not planned.
shooting at 1/60 resulted in blurr, especially since I was moving my camera too, to create a shaky feel to add to the tension. I tried filming at 1/125 but found I was able to see the grain rotation so I backed off and figured the blurr was the lesser of the two evils. the blurr is mostly noticeable when you freeze frame, cause when the footage is rolling the eyes see it the image more normal.
As yates pounds on Johnny with his club we see the blood splatter on the wall. It took a lot of blood and time to get that one shot right. Go figure LOL.
Johnny is then handcuffed and dragged out, semi concious:
One moveable side wall allowed me to have better access and shoot with a longer lens, which is my look/trademark. the wall to the right of the bunk will move. because it is L shaped it can stand on it's own, wherever you drag it.
below: The wall Johnny is leaning against is moveable. (Johnny seen here dealing with massive chronic headaches following his car crash).
For this scene I selected one hard light source to produce dramatic shadows. I then used the barn door to control how much of the cell was lit and to keep some of the cell into near total darkness. the garage door was opened for some of the shot, adding a hint of natural light to the shots.
the cell then was converted into a hallway so i could shoot from the persepective of the prisoner this time, looking out of his cell. In fact you are only looking at the same removable wall
below: Officer Brent gives Johnny the above letter
Johnny loses it when he gets the bad news contained in the letter, and trashed his cell, resulting in Officer Yates (the tough bastard) to become ivolved: below, my stunt coordinator / fight choregrapher friend Paul :
since Johnny will not "knock it off", a short, but very intense, beating results.
Look at this screengrabs of Johnny hitting the wall after being hit point blank in the face by the club and notice the shadow to his right. This is Paul's face. Looks like a demon. Really creeped me out when I first noticed it, cause it was absolutely not planned.
shooting at 1/60 resulted in blurr, especially since I was moving my camera too, to create a shaky feel to add to the tension. I tried filming at 1/125 but found I was able to see the grain rotation so I backed off and figured the blurr was the lesser of the two evils. the blurr is mostly noticeable when you freeze frame, cause when the footage is rolling the eyes see it the image more normal.
As yates pounds on Johnny with his club we see the blood splatter on the wall. It took a lot of blood and time to get that one shot right. Go figure LOL.
Johnny is then handcuffed and dragged out, semi concious:
Last edited:
