Hi everyone. Please feel free to chime in. Thanks!
I'm looking to graduate from consumer-level camcorder work (PV-GS500). I've got FCP, I've got a pretty decent Manfrotto tripod (for my Nikon DSLR kit - I'd need a new video head). Most of my work has been corporate/event stuff. I've done a little bit of TV hosting work, and I'd like to make more pitches of some ideas I have.
I have about $2000 saved up. Not a ton, not enough to get me an HVX, but I've seen some used DVX kits for less than that. All the TV work I've been a part of have been done on DVXs, so I trust their capabilities. I'm also a fan of the 24p look. I think the professional capabilities would allow me to qualify for an expanded range of jobs, too.
I'm also contemplating staying on a budget and getting the HV20 - HD would be a nice addition, although I'm not sure how I'd show my work aside from Vimeo. And when a bigger job comes along, I can always rent the fancier camera needed.
And then, I'm looking at the new lineup of solid-state cameras, and daydreaming about not having to wait to import footage in real time. Although, not having used them before, do they import faster? I've heard mixed things about AVCHD.
I'll stop, before I start rambling. Any thoughts? Thanks.
I'm looking to graduate from consumer-level camcorder work (PV-GS500). I've got FCP, I've got a pretty decent Manfrotto tripod (for my Nikon DSLR kit - I'd need a new video head). Most of my work has been corporate/event stuff. I've done a little bit of TV hosting work, and I'd like to make more pitches of some ideas I have.
I have about $2000 saved up. Not a ton, not enough to get me an HVX, but I've seen some used DVX kits for less than that. All the TV work I've been a part of have been done on DVXs, so I trust their capabilities. I'm also a fan of the 24p look. I think the professional capabilities would allow me to qualify for an expanded range of jobs, too.
I'm also contemplating staying on a budget and getting the HV20 - HD would be a nice addition, although I'm not sure how I'd show my work aside from Vimeo. And when a bigger job comes along, I can always rent the fancier camera needed.
And then, I'm looking at the new lineup of solid-state cameras, and daydreaming about not having to wait to import footage in real time. Although, not having used them before, do they import faster? I've heard mixed things about AVCHD.
I'll stop, before I start rambling. Any thoughts? Thanks.