1080i/24p at midnight

nice to see it handle the smear so well. Same thing with the 170. My HVX is horrible with the smear.. and not the nice bagel and cream cheese smear.


I would love to see how it cuts with HVX and 170 footage. That's the real clincher for me to see if ther'es any increase or such.... I'm already sold on not having to buy anymore P2
 
Justyn said:
nice to see it handle the smear so well. Same thing with the 170. My HVX is horrible with the smear.. and not the nice bagel and cream cheese smear.


I would love to see how it cuts with HVX and 170 footage. That's the real clincher for me to see if ther'es any increase or such.... I'm already sold on not having to buy anymore P2
Click to expand...

are you selling your hvx now? or just getting a hmc as a backup
 
HMC as a 2nd camera. I wouldn't sell my HVX as it has been and will still be a trusted workhorse... plus with over a 1500 hours on the camera and only 4 gig P2 cards and p2store, I'm not sure if I'd get enough to even buy this cam.. lol IT also has a scratched LCD which I don't know how it ever happened... and it's a very warn cam... but manalive it functions the same as the camera did when I bought it.


I could never say that for a DV camera. If I shot a 1500 DV tapes my heads would be shot.. and in the past they were. I had to clean it constantly and would routinely run into dropouts.
In 1500 hours of footage never had a drop out.. so ya got to love that.


Thomas, you certainly are an inspiration to us all. Congrats on taking the leap. Have you also shot with bpress gamma? I love that on the HVX and leave it there most of the time. Wonder if it does the same thing to the HMC footie..
 
what's the minimum illumination on this camera in lux ? I have the hardest time finding the specs of this camera on the web.
 
I can't believe this camera... it is like it has the same chip as the 170/200a only with higher compression
 
It does have the same chips as the 170/200A. Same lens as the 170. The major difference is no variable frame rates and a different recording system (and several other differences, like no standard-def recording, no interval mode, etc...)
 
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