Hey FCP people. I've got a host of footage goin' out to Japan that originated in NTSC land. we're capturin' through an NTSC deck to ProRes 422 (HQ) 29.97. It didn't dawn on us til today to see if this was viable... but...
If the guys in PAL land create a ProRes PAL timeline to cut and shoot this stuff out on, will things be okay?
Any suggestions on using the ever-efficient ProRes 422 Codec to send stuff out to PAL land?
If the guys in PAL land create a ProRes PAL timeline to cut and shoot this stuff out on, will things be okay?
Any suggestions on using the ever-efficient ProRes 422 Codec to send stuff out to PAL land?