Flintstone
Well-known member
Urghhh! I'm beat! I own a DVX100B for work I do as a freelance. I also work part time at a network with broadcast shouldermount cameras. Because of that I'm starting to hate using my DVX. It's starting to feel awkward.
I need to step up to 4:2:2 SD and in the coming months to HD for my freelance gigs. I would like to have a nice HPX500. I may be able to scrounge around and get the budget for the body, but not the lens, let alone the cards. So, I'm sad to say my budget would only allow me to get the HVX200 (with cards and other options).
My real dilemma is the form factor. I am too used to shouldermount now.
So my questions to you cameramen (and women) that are use to shouldermount cams AND DVX or HVX style cams.... How do you cope? Do you simulate the shouldermount with tools such as the DVRig, the Zaguto, etc? Which do you prefer? Do you use separate zoom, focus/iris controllers on each handles? What are your picks? Any other tools? And how do you overcome the overwhelming urge to curse at the camera when it comes to spot on focus... compared to shouldermount cams.
I need to step up to 4:2:2 SD and in the coming months to HD for my freelance gigs. I would like to have a nice HPX500. I may be able to scrounge around and get the budget for the body, but not the lens, let alone the cards. So, I'm sad to say my budget would only allow me to get the HVX200 (with cards and other options).
My real dilemma is the form factor. I am too used to shouldermount now.
So my questions to you cameramen (and women) that are use to shouldermount cams AND DVX or HVX style cams.... How do you cope? Do you simulate the shouldermount with tools such as the DVRig, the Zaguto, etc? Which do you prefer? Do you use separate zoom, focus/iris controllers on each handles? What are your picks? Any other tools? And how do you overcome the overwhelming urge to curse at the camera when it comes to spot on focus... compared to shouldermount cams.