This film was supposed to be conceptualized and made for SpyFest.
Unfortuntately, time was scarcer than money making the making of the film fall to the bottom of my priority list.
However, it's production has been slated for July 2007 and prep is starting to begin.
The film, which is untitled at the moment, will have the aesthetical style of 'Bad Boys II', especially in the rich colours and contrast, with some of the camera moves of '24'. Image will meet content with the performance and corruption intensity of 'The Departed' with the plots twists of Guy Ritchie and the ferocious revenge of 'A Man Apart', all in 8 minutes, max.
How, you might ask... I am still answering that myself. If shot on the DVX, it will be a two-cam set-up, if HVX stock lens a two-cam set-up will be looked at and hoped/prayed for, and if HVX + PS adapter it will of course be a single cam set-up. Oh yeah, squibs, SWAT and a little CG.
That's all for now.
Unfortuntately, time was scarcer than money making the making of the film fall to the bottom of my priority list.
However, it's production has been slated for July 2007 and prep is starting to begin.
The film, which is untitled at the moment, will have the aesthetical style of 'Bad Boys II', especially in the rich colours and contrast, with some of the camera moves of '24'. Image will meet content with the performance and corruption intensity of 'The Departed' with the plots twists of Guy Ritchie and the ferocious revenge of 'A Man Apart', all in 8 minutes, max.
How, you might ask... I am still answering that myself. If shot on the DVX, it will be a two-cam set-up, if HVX stock lens a two-cam set-up will be looked at and hoped/prayed for, and if HVX + PS adapter it will of course be a single cam set-up. Oh yeah, squibs, SWAT and a little CG.
That's all for now.