Looking for some advice on how to end

I'm writing a script for my digital cinematography class, which is due tomorrow, and I'm about to write the script for it, but I just can't think of a suitable ending. I know how I need the characters to act, but I just can't think of the best way to get it across.

Here's a basic outline of the action.

A business man, Chad, awakes one morning to find out that he has lost his keys to his car. He asks his wife if he can borrow her car to get to work, but for some reason she can't.

So this man calls a taxi and the next time we see him he's in a business district of a big city. As he gets out of the car, a man from UNICEF approaches him asking him to donate some of his money, but the man refuses, and continues to complain about the repercussions of him being late for work.

Next walking his way to the office, he is stopped a light when a former employe stops him, and begins to ask him if there are any open positions at the company since the lay off. Again the main, tries to ignore him and acts as if nothing is happening. The man steps in front of him to confront him again about a position, and Chad just pushes the man aside.

Next, we see Chad at a small paper stand. In front of him a woman stands. The cashier rings up her bill, and the woman makes some excuse of how she is short a 75 cents, so she turns to Chad, and asks if she can borrow the money. Chad, like usual tries to ignore the woman, but at this point the woman is starting right down on him. "Can I borrow some change?" she asks. Meanwhile the cashier tells her he's going to have to ask her to stop aside if she doesn't have enough. Chad refuses to give her any money, and the women walks off in a huff.

Chad finally approaches the stand, and as he is paying for the newspaper, a man runs by and steals his wallet. Chad drops the newspaper and begins to run after the man.

Eventually Chad finds an ally where a few men are standing around a bunch of women's purses and man's wallet. Chad approaches the men and begins to ask for his wallet back. The taunt him and eventually punch him onto the ground, where Chad passes out.

Chad wakes up, wearing a dirtied up white shirt, and slacks. His blazer, and watch are now gone. Chad begins to walk to his office. By this time however he's over an hour late for his meeting and the doors to his office are locked and he's missing his keycard to get into building. He tries to ask numerous people if he can borrow their cell phone, to call his wife, but like the people he refused these people are not too empathetic with his situation.


Alright this is where I'm getting stuck. I want their to be some realization point where perhaps the main character realizes that he can't live his life ignoring other peoples problems. Eventually i would like Chad to be able to help someone somehow, maybe he can give him something he still has on himself which is meaningless to him but could truly help someone else. I'm not entirely sure. Anyone have any ideas or critiques about the story? Thanks guys, I really appreciate it! I should also mention this must be within 6-8 minutes; so any ideas on condensing a bit, would be greatly appreciated.
 
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His wallet doesn't get stolen, nor does his cell phone.

The UNICEF man quickly can change to a man asking for a call on a cell phone.

The woman who needed $0.75 doesn't have to be far from the paper stand.

He tries to ask numerous people if he can borrow their cell phone, to call his wife, but like the people he refused these people are not too empathetic with his situation. He stops, turns. We see shots of him giving his cell phone to the man, and money to the woman. After he gives money to the woman, he goes and sits down on the steps nearby, dirty and tired. A man in a big black coat talking on a cell phone walks by - but stops, and returns.

"Chad? What the hell happened? Why weren't you at the meeting?"
"Oh... I don't know. Can I have a ride?"
"Sure"

He gets in the car and they drive off.


No, it's not very good. But that's what I thought of, I SHALL STAND BY IT.
 
That's a pretty decent job of condensing it, but I think its still lacking that final point where Chad realizes he can't live his life like that. I'm thinking he almost needs to have something in his pocket at the end that maybe someone else needs, and at this point he doesnt think anything on him is worth a thing, so he gives it up. Maybe after this happens he could be sitting on that stoop and someone from his office could stop and offer a ride.

Anyone else have any more ideas?
 
Actually, I like the karma of the people ignoring him. It could end with a nice crane shot pulling back, showing the throngs of people ignoring his pleas for help.
 
oooooh, you do bring up a good point there. So end pretty much just as hes at his breaking point. There he is completely broken down, no jacket, a blackened shirt, looking basically homeless and no one will help him. You might have something there.
 
Capt Quirk said:
Actually, I like the karma of the people ignoring him. It could end with a nice crane shot pulling back, showing the throngs of people ignoring his pleas for help.

This is good. I'd go with this.
 
just a quick question though. Don't people usually complain a lot about how characters who dont change? I mean eventually i would see Chad changing but not during the space of time in the movie. Any takers or we good?
 
Oh, he changes... From a successful business man who doesn't bother with the little peop;e, to a man who has just lost his dignity, and possibly his job, then his home, then his wife.
 
What if Chad is a trial lawyer. After all this happens and he finally gets "to work", he actually comes charging into the court room an hour late, to find that the judge is the woman who asked for the $0.75

Just a thought
 
quick question: if you were to ask someone for change and they said they didnt have any, but then you saw them take out a handfull of change and pay for something with it, what would you say? Thanks


I'm just about done, just gotta finish a few more pages, and I'll post it up tonight for critiques.
 
He's broken after what's happened... he walks away from the locked office... as he passes the busy news stand (to keep him looking a little insignificant still, no-one cares/notices he's beat up) he notices a dollar on the ground, stares at it, looks at the newspaper he couldn't buy earlier. MOMENTS LATER... A customer (not anyone from earlier. don't use a woman) is about to pay for a newspaper he's laid on the counter, our guy places the dollar on top the paper, acknowledges the customer with a slight nod then moves off. ON NEWS STAND VENDOR. NSV (to customer) "Huh. Who sez this is a shitty town?". Then do your crane shot of OUR GUY blending into the masses as he moves off.

I think this is more of the style of redemtion/character developement you initially talked of.

** Important OUR GUY doesn't say anything, I wouldn't even have him smile - just acknowledge CUSTOMER. You don't want him to become a Saint, but it's still a huge step for OUR GUY.

** You could have CUSTOMER be someone from earlier but I HATE in movies when everything works out - too artificial I find.

Ian
 
Screenplays finally done. How would you recommend I post it?

Note: I'm forced to use this account because my current one is giving me problems.
 
It's ok, but the whole sequence of him chasing the punk into an alley seems forced, and unlikely. A suit might chase the kid, but he isn't going to be talking trash when he finds 3 thugs. And if he does, he should at least make an effort. Instead he stands there and gets thumped with a bat? Not good dude.

And you need a nice crane shot at the end ;)
 
Hey - I think your end to the script works fine this way, but it needs some help in other areas. The beginning definitely needs some work - all Chad and his wife do is vocalize their character's motives. Dialogue like:

CHAD
Alright, I really don't have time, to look for them,
is there anyway I can borrow your car for just today.

JENNIFER
I need to drop the car off at the garage.
Don't you remember?

CHAD
Not really, but I need to get to work by 9....​


just makes me cringe. It doesn't sound natural and it's just serving your purpose to set up the story. Part of this could be covered by actions - such as Chad frantically looking for his keys once he realizes theyre missing or constantly looking at his watch.

I don't even know that you need the whole intro scene - all it does is serve to let us know Chad is in a hurry and doesn't have access to a car. It also takes up a hefty amount of real estate (1.5 pages) in a pretty short script. Why not just start it with him entering the city in a cab? Plenty of people ride cabs or buses to work. We don't need to know he has a car but can't find his keys and his wife has a car but can't help him because she has to take it to the garage - it just doesn't do anything for your big picture.

I also agree with Capt. Quirk about the confrontation scene, and definitely take a second look through for typos and comma use. Sorry if it sounds like I'm being really critical - you have a good story and it would make a very good short. The ending is good, but I think you need to pay attention to the other parts now! Best of luck!
 
Shattered Glass Pictures said:
just a quick question though. Don't people usually complain a lot about how characters who dont change? I mean eventually i would see Chad changing but not during the space of time in the movie. Any takers or we good?

There's nothing wrong with characters who don't change, but you have to structure your story around this.

A tragedy is the story of a character who doesn't change, and it works because it is himself that is his own worst enemy - you build tension in the audience by having him work towards his own defeat, the audience then gets in the mindset of wanting him to change to avoid his impending demise, but watches the end result come because he doesn't heed those warnings. An easy way to look at the tragedy would be through movies that show the main character killed at the beginning, and then you watch the whole movie knowing that he dies, the intensity of emotion comes from wanting an outcome to be different but knowing that it won't change.

However, you have to take a firm stance with the character - either he changes or he doesn't. If you leave an open ending that he *might* change at the end but is suffering the impact of having not changed, it doesn't give the finality to your story that it would need. A tragedy typically doesn't have the option of redemption, because the tension comes from watching them walk into t heir own destruction.
 
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