Andrew Yamaguchi
New member
I won't say I'm the next Robert Bresson, but hey. . .
http://www.youtube.com/watch?v=UhHhu5xdsCE
Me and my film school buddies were doing test shoots with the HVX for some upcoming short films we'll be making. We used a letus35 flip and used a Nikon normal lens for all (but one) shots. Naturally we can't resist trying to make some sort of loose story out of it, so I hope you at least had a good time listening to The Police.
We shot it in SD 24pa, as I am still waiting for my P2 card from Panasonic.
Lessons learned. . .
Screw on the letus tightly, otherwise you get the borders creeping into the frame. Unfortunately by tightening it you tilt the ground glass at an awkward angle so you have to zoom in and lose some of the frame.
White balance. The rushes looked too cool (a bit like tungsten balanced for daylight) and so I had to apply a subtle amount of color correction.
Watch out for those DV decks, you never know whose tape has been in there.
PS I'm not ASC
http://www.youtube.com/watch?v=UhHhu5xdsCE
Me and my film school buddies were doing test shoots with the HVX for some upcoming short films we'll be making. We used a letus35 flip and used a Nikon normal lens for all (but one) shots. Naturally we can't resist trying to make some sort of loose story out of it, so I hope you at least had a good time listening to The Police.
We shot it in SD 24pa, as I am still waiting for my P2 card from Panasonic.
Lessons learned. . .
Screw on the letus tightly, otherwise you get the borders creeping into the frame. Unfortunately by tightening it you tilt the ground glass at an awkward angle so you have to zoom in and lose some of the frame.
White balance. The rushes looked too cool (a bit like tungsten balanced for daylight) and so I had to apply a subtle amount of color correction.
Watch out for those DV decks, you never know whose tape has been in there.
PS I'm not ASC