t-h-e-w-h-o
Well-known member
man, we need 24P footage, then im sold.
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There's another thread on DVInfo that you may want to read, which takes that notion to task.Kholi said:Yeah... okay. So no "voodoo". But the physical imager is 960 x 1080. Someone want to tell me how this is "true" 1080p and not derived from some sort of pixel shifting?
I belive that DSE has said he'll never post un-watermarked footage again, so IINM that footage isn't raw, it's been recompressed at least once? I may be mistaken though.Kholi said:I was less than inspired by Douglas's footage. That HAS to be a product of file compression. There's no way that 108mb .m2t can be THE raw file.
I refuse to believe that.
The Sony doesn't produce 24p streams, it produces 60i streams. If you want to see raw camera-original untouched footage, it's going to be a 60i data stream with 24p embedded in it using a 2-3 pulldown system.Kholi said:Aren't all of those clips 50i streams? Where's the 24p streams?
No it isn't, it's 960x1080 at the imager.Kholi said:Yeah you can capture 4:2:2 1920x1080 because it's that resolution at the imager.
I disagree with his choice of words -- if "pixel shift" is "voodoo", then certainly "Sony Original Interpolation Process" must also be voodoo. But what it certainly isn't is a 1920x1080 chip.What I don't get is how he says there's no "Voodoo" going on.
From all accounts, yes it should be legitimate actual progressive scan at 24hz, so "real" 24p.anthony jackson said:Is it real 24p
LOLBarry_Green said:Their own brochure says that it's 960x1080, which goes through a (here I'll use Sony's own words): "Sony Original Interpolation Process" to become 1920x1080. And then all processing is done at 1920x1080, and then the final recording goes through a (again, Sony's words): "Resolution Conversion Process" to become 1440x1080.