Boa
Member
Hey guys, a couple weekends ago I DPed a commercial, "The Pretenders," for the new Jeep Compass that is now up on the Free Your Thoughts website. Note that I AM NOT SOLICITING VOTES. IF YOU WOULD LIKE TO VOTE, PLEASE REVIEW THE OTHER VIDEOS AND VOTE FOR WHICHEVER VIDEO YOU THINK SHOULD WIN THE CONTEST. I am posting here for cinematographic & other film technique critique.
That said, the link again is:
"THE PRETENDERS by Zachary Miller" at http://www.freeyourthoughts.com
Zac wrote and directed the project, I DPed and co-edited with Zac.
The DVX was set for 24p Advanced, and the 35mm was a homebrew of my creation with a static Mamiya 4x5 (UNcut) focus screen; I intentionally did not zoom in all the way on the ground glass or vibrate the ground glass in order to produce heavy vignetting and grain on the image. Our lenses were a Nikkor 70-300mm f/4-5.6 and a Nikkor 50mm f/1.8; I stayed telephoto on every shot, true to car commercial form, and used a polarizer to deal with everything our location gave us for light. We did no lighting except for one shot with a gold flex-fill, and I am well aware of the terrible things the final compression did to the latitude of the footage: that second shot of the dust kicking up makes me cry inside every time I see it. Believe you me, it didn't look like that in the Avid.
So what do you think?
That said, the link again is:
"THE PRETENDERS by Zachary Miller" at http://www.freeyourthoughts.com
Zac wrote and directed the project, I DPed and co-edited with Zac.
The DVX was set for 24p Advanced, and the 35mm was a homebrew of my creation with a static Mamiya 4x5 (UNcut) focus screen; I intentionally did not zoom in all the way on the ground glass or vibrate the ground glass in order to produce heavy vignetting and grain on the image. Our lenses were a Nikkor 70-300mm f/4-5.6 and a Nikkor 50mm f/1.8; I stayed telephoto on every shot, true to car commercial form, and used a polarizer to deal with everything our location gave us for light. We did no lighting except for one shot with a gold flex-fill, and I am well aware of the terrible things the final compression did to the latitude of the footage: that second shot of the dust kicking up makes me cry inside every time I see it. Believe you me, it didn't look like that in the Avid.
So what do you think?