Dmitry Kichenko
Well-known member
Hi guys
I have a question.
Suppose I was to export a complete sequence from Avid for later colour correction in an external package (Shake in my case). Is there a robust way to do it? For me robust would mean having each shot in the sequence exported as a seperate QT Reference file which I could later reimport back into Avid with all the CC finished, and replace the original footage with the corrected stuff.
So far I had to do it the long way. I would export a part of the sequence or the whole thing as a QT Reference file, and then manually break it into smaller reference files using QT Pro. It becomes quite a pain in the arse with a lot of shots. And then you have to replace all the shots manually after reimporting.
A way to preserve timecode would be nice, like working off an EDL list so I could reimport all the finished shots and have the original shots replaced with the finished ones automatically.
Perhaps I wish a bit too much. I know there has to be a similar technique in the "professional" world with the systems like daVinci. I can't imagine editor assistants exporting each shot manually, and then splicing them in again later on after the colour correction is done.
Heeelp
.
I have a question.
Suppose I was to export a complete sequence from Avid for later colour correction in an external package (Shake in my case). Is there a robust way to do it? For me robust would mean having each shot in the sequence exported as a seperate QT Reference file which I could later reimport back into Avid with all the CC finished, and replace the original footage with the corrected stuff.
So far I had to do it the long way. I would export a part of the sequence or the whole thing as a QT Reference file, and then manually break it into smaller reference files using QT Pro. It becomes quite a pain in the arse with a lot of shots. And then you have to replace all the shots manually after reimporting.
A way to preserve timecode would be nice, like working off an EDL list so I could reimport all the finished shots and have the original shots replaced with the finished ones automatically.
Perhaps I wish a bit too much. I know there has to be a similar technique in the "professional" world with the systems like daVinci. I can't imagine editor assistants exporting each shot manually, and then splicing them in again later on after the colour correction is done.
Heeelp