"Reach For the Sky" VFX and the HVX

Jim Arthurs

Well-known member
Hi all... I've been working on this project for several months, the shoot was back in June and now all the VFX are done so I though I'd share some of the production.

Every couple years RE/MAX puts together a new recruitment media package including an up-tempo themed video. For the last couple of years I've had the opportunity to contribute to these productions, and when producer BB Schmid described her exciting vision of skydivers forming the shape of the RE/MAX balloon I was excited to take part.

We had a top notch crew, headed by the director John Behring. John is an incredible DP as well, and his credit list is extensive; He's directed episodes of Charmed, Touched by an Angel, Dragnet, Surface, The 4400, and now is the Supervising Producer on Numbers, and is directing 4 episodes of that show this season including the premiere and final.

All footage was 720 24PN, and all the sky dives were using the Century .6 lens. I had to "un-distort" the footage before tracking and FX.

Our ski-diving photographer was Norman Kent, an awesome individual and talent. After testing with the HVX he bought his own and did extensive rigging to match it up with his helmet mount.

The bottom line is that with only eight divers and only four RE/MAX branded canopies, some CGI was needed to force multiply that out to 59 divers and 3 RE/MAX branded planes.

I want to share some pictures and movies with you all...

Before and after on some VFX shots... I did a total of 31 shots, here are some of the more interesting ones. (53megs) Please "save as" and not stream.

http://ftp.datausa.com/imageshoppe/outgoing/R_F_T_SKY/REMAX_BEFORE_AFTER.mov

NORMAN_KENT_rig1.jpg


Norman's flight rig for the HVX. My HVX is next to it on the table. All told we had 4 HVX's on the shoot.

LOGGING_STATION.jpg


My P2 logging and backup station... all footage was backed up to a second hard-drive and immediately burned to a DVD.

MINI_35MM.jpg


When is an HVX not an HVX? When it's 1/5th the weight and price of the gear attached to it. Virtually all the Mini35 footage was un-usable... the ground glass wasn't spinning for most of the shots leaving the nasty screen grain. Bummer.

HOSTESS_TRAY.jpg


Car mounts are fun! David Quint helps set up the rig. John Behring is in the back seat. Our two talent were actually pro skydivers and did a fantastic job. The producer joked that all future casting would be done from the skydiver pool.

Norman Kent lands with the HVX on his head in 720p slow mo (17meg). The only chance I had to get out of the RV in time and get a camera on him... Please "save as" and not stream.

http://ftp.datausa.com/imageshoppe/outgoing/R_F_T_SKY/Norman_Kent_lands.mov
 
Thats one messy carmount....it was very impressive! damn i wish i could shoot sutff like this....Oh and thats a kickass telephoto lens you got there
 
Absolutely great job! Wow. That made my head spin. I feel so unworthy now: speechless! I would love to know a little bit about how you did some of that. Please give more details!
 
Jim,

Can you please share some VFX insight -- tracking, keying, and all goodies that went into making this project.
 
Outstanding ! That is great ! Thanks for sharing this.

The only reservatoin I have is at 00:00:21 where all 2 planes are flying and making the same identical moves at the same exact time ....

I think it'd bring a bit more realism to the spot if the 3 acted somewhat independently.

.02 always
 
can't wait to view... got to wait till I get home from the wife though... Jim, was this the project you were shooting in Florida?
 
Thanks all!

Yes, we sent a camera down for testing in Florida (where Norman Kent lives) but the work was shot in Longmont, Colorado.

I agree with you John, five more minutes of keyframing would have improved the planes in general. It is what it is now, though.

All CGI was Lightwave, then composited in After Effects. The hardest challenges were in order of difficulty 1.) Motion Tracking 2.) Realistic canopies 3.) Plane replacements on the ground 4.) A good looking spinning prop effect.

Regards,

Jim Arthurs
 
Holy smoke, that was impressive. Where does one acquire the skills to create those fx? And how long did it take to complete the fx once shooting was done?
 
i would like to officially nominate this man to be president. he could make some smokin' propaganda films.
 
bewillia said:
i would like to officially nominate this man to be president. he could make some smokin' propaganda films.
Yeah this guy is the Dustin Hoffman in Wag The Dog.

I bet there wasn't an Israel and Lebanon conflict! Just Jim Arthurs hard at work! :)
 
Wow! I had no idea what everyone was talking about until i saw the video. You should post some screen grabs so people can understand. I would pay $14.99 for a 1 hour tutorial about how you made that.
 
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