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puredrifting said:Bottom line, guys, the Dell is a killer computer monitor but a really lousy video monitor. It happens to display video but really cranks up the artifacting and macroblocking in the darks.
I purchased a Sony MFM-HT75WS for $400.00.
puredrifting said:Just to chime-in, I purchased the Dell 2405 to use as a video monitor, both on shoots and in the edit bay. I also purchased a BMD HDLink to feed the SDI output from my Kona 3 card to it.
Bottom line, guys, the Dell is a killer computer monitor but a really lousy video monitor. It happens to display video but really cranks up the artifacting and macroblocking in the darks.
I purchased a Sony MFM-HT75WS for $400.00. It blows the Dell out of the water as an HD video monitor. It looks REALLY good, I wouldn't do critical color correction on it but as both an editing monitor and a field monitor, it is most excellent.
My Dell is now my main FCP monitor on my G5 sitting side by side with my Apple 20" CInema display. It is PERFECT as a computer monitor but is a very poor choice as a video monitor. Buy a real video monitor if you need a video monitor.
I see no reason why the 2407 will not look similar to the 2405.
Dan
i use one of these on the Y/G/CVBS output on my kona 3 breakout box.... you'd still have to switch between composite and component in the kona control panel, but this lets you keep it wired for both.puredrifting said:Hi Don:
Interesting feedback on using an HDLink. Problem is, I am using the composite out on the K3 Box to feed my NTSC monitor and dub rack. If I go with the analog YUV out, I lose the composite output don't I?
I am going to run some tests to see if I can see any difference between the two on this cheapie Sony LCD. To my eyes, it looks mighty good with the HDLink output.
Best,
Dan