filmtovideo
Well-known member
The specs in Panasonic's literature say that the HVX200 Leica Dicomar lens
has 13x zoom from 4.2mm to 55mm which Panasonic says is equivalent
in 35mm to 32.5 mm to 423 mm. How? I used a 300mm lens on a 35mm
shoot and we could see Neptune. With a 423mm lens we probably could have
seen Pluto! I've zoomed all the way in with the HVX200 and it doesn't seem
that long a lens anyway, certainly not the extreme telephoto that the
423mm comparison suggets. What am I missing?
Also, if you're shooting in HD, what differnce do you get between the HD Norm
gamma mode and the cine gamma modes? Maybe I need to go back to school,
but I'll humble myself and ask can somebody clarify: 1. Dynamic range, 2. cine
low (flattening out contrast) 3. Gamma high-additional contrast and color
saturation,
4.providing more contrast and prioritizing contrast?
I have been successfully shooting film for a while and yet maybe I'm like a doctor
who's ben skating by a little bit. I thought I understood contrast and dynamic
range but if you could help especially with some specific examples of shooting
situations that would be great. I also know that I have to do a lot of testing with
the various modes and I'm going to- but any info. would help.
This is an awesome site. I really appreciate how people take the time to
help. Thanks!
has 13x zoom from 4.2mm to 55mm which Panasonic says is equivalent
in 35mm to 32.5 mm to 423 mm. How? I used a 300mm lens on a 35mm
shoot and we could see Neptune. With a 423mm lens we probably could have
seen Pluto! I've zoomed all the way in with the HVX200 and it doesn't seem
that long a lens anyway, certainly not the extreme telephoto that the
423mm comparison suggets. What am I missing?
Also, if you're shooting in HD, what differnce do you get between the HD Norm
gamma mode and the cine gamma modes? Maybe I need to go back to school,
but I'll humble myself and ask can somebody clarify: 1. Dynamic range, 2. cine
low (flattening out contrast) 3. Gamma high-additional contrast and color
saturation,
4.providing more contrast and prioritizing contrast?
I have been successfully shooting film for a while and yet maybe I'm like a doctor
who's ben skating by a little bit. I thought I understood contrast and dynamic
range but if you could help especially with some specific examples of shooting
situations that would be great. I also know that I have to do a lot of testing with
the various modes and I'm going to- but any info. would help.
This is an awesome site. I really appreciate how people take the time to
help. Thanks!