Firstly, I finally got around to buying one today! So that makes me biased as I must justify my purchase to myself.
But anyway:
IMO there is far too much nitpicky, ***** fighting on these sites about irrelevant figures and "this camera has 10 lines more res than this one."
Looking at the XLH1, Z1 and HD100 side-by-side on a 1080 monitor set on the same scene, there is nothing really between them. They are all sharp, but not as sharp as an F900. If I had to bother ranking them it would be: H1, HD100 and Z1 last.
What really matters is getting the shots and CONTENT. When was the last time you watched a film or program and said "I wish that was shot on a different camera?"
Never? Well, maybe Open Water or 28 Day later, but we are beyond that now.
The usability of the HD100 is just fantastic. It is a true pro camera, solid and with everything lying where it should. It requires a more professional shooting style than other "prosumer" cameras which is great for aspiring cameramen - i.e. most people here. I think this makes it the best camera for getting the best shots... IMO
However, it isn't perfect but what is:
I'm going to miss OIS. The lens breathes and has slightly worse CA than the competition. Er... the LCDs aren't great.... hmmm... running out of things... split screen can be seen if you really try to find it.
The IDX offer (now 1/2 price in UK) is a must and just really tips the balance (literally and metaphorically) to this being a truly great camera. I just wanna run out and film everything the world has to throw at me - like I did when I got my first handycam at 12. It's a great feeling to have regained and I hope whatever camera people choose it will do the same for them!

But anyway:
IMO there is far too much nitpicky, ***** fighting on these sites about irrelevant figures and "this camera has 10 lines more res than this one."
Looking at the XLH1, Z1 and HD100 side-by-side on a 1080 monitor set on the same scene, there is nothing really between them. They are all sharp, but not as sharp as an F900. If I had to bother ranking them it would be: H1, HD100 and Z1 last.
What really matters is getting the shots and CONTENT. When was the last time you watched a film or program and said "I wish that was shot on a different camera?"
Never? Well, maybe Open Water or 28 Day later, but we are beyond that now.
The usability of the HD100 is just fantastic. It is a true pro camera, solid and with everything lying where it should. It requires a more professional shooting style than other "prosumer" cameras which is great for aspiring cameramen - i.e. most people here. I think this makes it the best camera for getting the best shots... IMO
However, it isn't perfect but what is:
I'm going to miss OIS. The lens breathes and has slightly worse CA than the competition. Er... the LCDs aren't great.... hmmm... running out of things... split screen can be seen if you really try to find it.
The IDX offer (now 1/2 price in UK) is a must and just really tips the balance (literally and metaphorically) to this being a truly great camera. I just wanna run out and film everything the world has to throw at me - like I did when I got my first handycam at 12. It's a great feeling to have regained and I hope whatever camera people choose it will do the same for them!