Before...after

pookie_old

pookie_old

Veteran
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done1.jpg
 
The sky replacement is cool, but what really caught my eye was the removal of the line from the one balcony to opposite side of the frame.

Nice work.
 
I think the picture on the left is better.

Okay seriously... great job... and now I have another pet peeve to post. Tourists that dress like the biggest hoosiers they can and suck the cool out of any otherwise interesting location.

Photoshop was invented for hoosier elimination.
 
How would this work in the context of a film, with such rapidly changing frames? Are you supposed to do this to each frame? And if so...how do you make sure you keep the continuity from frame to frame?

c
 
Hey dude,

Have you actually been there? It has been a long time since I've been in Portugal.

Nice picture, and nice work.
 
RMI Studios said:
How would this work in the context of a film, with such rapidly changing frames? Are you supposed to do this to each frame? And if so...how do you make sure you keep the continuity from frame to frame?

c
Click to expand...

pookie? anyone? is matte painting always supposed to be used as background in composited shots? with composited moving sky and then a greenscreen shot in the foreground? i see how useful it can be to transform your still frames, but how is it usd practically, in the context of a film?

any info would be helpful, thanks :)

c.r.
 
Matte painting is very valuable in production where it's either physically or financially impractical to get a location to shoot. It's a common thread in compositing, whether background extension, object removal, or creating an entire world.
 
you can also try vfxtalk or cgchat.com. the forums there are full of peeps that will offer assistance. Also, most of the examples in pookies link can also be found in cinefex magazine. Just a little FYI in case this is something you want to pursue.
 
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