dvxStephen
Active member
Barry wrote, "You can't make the chips see more than they can see; all you can do is change the processing to preserve as much of it as possible. -15 throws away a lot, in exchange for giving a snappier/punchier reversal-film look. +15 doesn't give you any more info than you have at zero, it just makes it "grayer". So the key is to get as deep of contrast as you can, while still preserving all the detail. I think that sweet spot is around -6, you may find you prefer the look at around -3."
Ok. Fair enough.
My posts on this topic were inspired by Jarred's article's images, which, at least on my monitor, show noticibly more shadow detail in the zero setup column when MP is at -3 and 0.
So, you see, it's all Jarrad's fault!
Thanks, Barry, for your time on this.
Stephen
Ok. Fair enough.
My posts on this topic were inspired by Jarred's article's images, which, at least on my monitor, show noticibly more shadow detail in the zero setup column when MP is at -3 and 0.
So, you see, it's all Jarrad's fault!
Thanks, Barry, for your time on this.
Stephen