Ned, I'm not surprised to hear it, but I'm curious to know more when you talk about the look being "interesting".
Jase, this timeline grab is shot at 8mm or 32mm FF. Bit of a bow in the horizon, but I wouldn't call it a sharp or saturated looking image. Focus is probably at the front of the board.
I've used a fujinon B4 lens that came with an adapter from RJ Camera supplies. Was a bit of a man cave job mounting it to a GH camera and getting it high enough to engage the extender. Got a range of 660mm from memory.These days I use a 100-300 Pana lense. The great thing about the Fuji lens was...
I want to upgrade from my GH2, money's not the problem, but since the GH4 and onwards, most of the 1080p vids I've seen have been downscaled from 4K, or shot 1080p with V-Log. I'm asking about in camera recorded 1080p. Thanks.
I seldom use it, but I made this hood out of strong cardboard and secure it with velcro on the back. It folds up flat and generally sits in my bag. I have a Matte Box and never use it any more.
http://www.ebay.com.au/itm/like/400958718304?lpid=107&chn=ps
I'm currently looking for another sliding plate for the above unit. I've purchased a generic swiss Arca styled plate but it doesn't quite fit well, and too narrow to lock up. Have also contacted a couple of Fotga sellers on ebay but...
I have just installed a trial version of PP CC 2015, and when I start a new project the only sequence pre-sets available are HDV or DV. As I record in AVCHD (GH2) I'm wondering why I don't have this option. Any help would be appreciated.
Had 2 old Miller Fluid Heads from the 60/70’s, and sticks given to me about a year ago, and I thought at first the best I could come up with would be a solid adjustable base for a slider setup. Anyway first thing I did was mount my camera on the smaller head and realise how good it still is...