From my experience, properly exposed Slog3 footage on the FS7 – Cine EI at base 2000 ISO – is clean and beautiful when there is plenty of light (for example, daytime exteriors). But when there are a lot of dark midtones and shadows (for example, darker interiors that are in fact supposed to look...
I feel the FS5 is terrible at handling noise. I also own the FS7, so I do have a point of reference and certain experience shooting in slog.
Even when overexposing and shooting outdoors, noise will always be very present in midtones and shadows. So when I compensate for the overexposure, some...