indieanajonze
Member
I've been recruited to put together a plan for building an HD edit system using FCP and need some advice in the areas below. I'm relatively new to HD production, but not production, FCP and macs so I have enough knowledge to know what I need, I'm just unsure about whether my choices are the best and if I am completely overlooking anything.
I know the camera will influence what we purchase so at this point we will most likely be shooting on the HPX-170 using a Firestore. Most of our work is half-hour field-based shows and half-hour to hour long documentaries.
1. We will be getting a Mac Pro with the following specs.
- 2.8 Quad Core Intel Xenon
- 4 GB RAM
- 750GB system drive
- ATI Radeon HD 2600 XT 256MB
My questions regarding the Mac Pro are these:
1.1 - Is the RAM and graphics card sufficent for editing DVCPRO HD?
1.2 - How important is the processor speed? Is it worth the cost to bump up to the 3.0 or 3.2?
1.3 - Is there anything else I should consider in building the computer aspect of this edit system.
2. Breakout Box. This is where I'm totally clueless. We currently have the Kona 2 for our SD edit stations, but I have no idea what we need, or if we do need, a breakout box of any kind. We would like to monitor the output on a larger screen, possibly a consumer LCD. I know a consumer LCD isn't ideal for color correction, etc., but I think a professional HD monitor may break our budget. Any advice in this arena would be greatly appreciated.
As far as output, our short term plan is to shoot in HD and broadcast in SD. Our engineers are working on a solution for us to finish in HD and file transfer the final edit to the stations server where it will be converted into a file format for broadcast from the server. I say all of this as we have no plans for outputting projects to decks and tapes.
My questions regarding the breakout box are these:
2.1 - What would be a good choice for monitoring output on a consumer LCD using HDMI?
2.2 - Is there a more cost-effective breakout box solution for only monitoring as we will most likely
not be outputting to tape?
3. Drives - I am assuming editing in DVCPRO-HD is the best choice. That said, what editing hard drive solutions would you recommend for editing in DVCPRO-HD?
My questions regarding the drives are these:
3.1 - Would adding hard drives to the vacant drive bays inside the Mac Pro work (not sure if they
would be fast enough) or would you recommend and external solution.
3.2 - What external solution would you recommend?
3.3 - Would a FW 800 solution work or would a RAID be a better choice?
I know there are other questions and things I need to consider that I have left off so please feel free to point out these things if you feel it to be beneficial.
Thanks in advance for your advice.
I know the camera will influence what we purchase so at this point we will most likely be shooting on the HPX-170 using a Firestore. Most of our work is half-hour field-based shows and half-hour to hour long documentaries.
1. We will be getting a Mac Pro with the following specs.
- 2.8 Quad Core Intel Xenon
- 4 GB RAM
- 750GB system drive
- ATI Radeon HD 2600 XT 256MB
My questions regarding the Mac Pro are these:
1.1 - Is the RAM and graphics card sufficent for editing DVCPRO HD?
1.2 - How important is the processor speed? Is it worth the cost to bump up to the 3.0 or 3.2?
1.3 - Is there anything else I should consider in building the computer aspect of this edit system.
2. Breakout Box. This is where I'm totally clueless. We currently have the Kona 2 for our SD edit stations, but I have no idea what we need, or if we do need, a breakout box of any kind. We would like to monitor the output on a larger screen, possibly a consumer LCD. I know a consumer LCD isn't ideal for color correction, etc., but I think a professional HD monitor may break our budget. Any advice in this arena would be greatly appreciated.
As far as output, our short term plan is to shoot in HD and broadcast in SD. Our engineers are working on a solution for us to finish in HD and file transfer the final edit to the stations server where it will be converted into a file format for broadcast from the server. I say all of this as we have no plans for outputting projects to decks and tapes.
My questions regarding the breakout box are these:
2.1 - What would be a good choice for monitoring output on a consumer LCD using HDMI?
2.2 - Is there a more cost-effective breakout box solution for only monitoring as we will most likely
not be outputting to tape?
3. Drives - I am assuming editing in DVCPRO-HD is the best choice. That said, what editing hard drive solutions would you recommend for editing in DVCPRO-HD?
My questions regarding the drives are these:
3.1 - Would adding hard drives to the vacant drive bays inside the Mac Pro work (not sure if they
would be fast enough) or would you recommend and external solution.
3.2 - What external solution would you recommend?
3.3 - Would a FW 800 solution work or would a RAID be a better choice?
I know there are other questions and things I need to consider that I have left off so please feel free to point out these things if you feel it to be beneficial.
Thanks in advance for your advice.