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Yeah, I entered Sundance and didn't get accepted (almost though) and I just entered the Festival de Cannes. So I'll have to see what happens there. I have to start networking, finding people who shares the same passion I have for filmmaking. I live in VA and haven't found to many interested in making films. The film I'm entering into these festivals now was done with me being the director, DP, video editor, actor, and writer. There was only one other person on the location to hold the camera. It was much harder than it should have been, but we got it done and it turned out very good.
stay away from NY film festival its a cash cow... i was curious about it and i sent them off an email..the next day i got a call and the biggest and hardest sell ever....all they wanted was 300bux x 2 if i wanted my film to show in LA as well as NY. Anyway, i thougth somthing was fishy so i searched online and its just a cash grab for most..they'll accept anything as long as u pay them and they'll show it in some crappy theater that no one goes to or deosnt even know that your film exists.
anyway.... yah i'm sure soem ppl have sucess from it but 600bux can be spent in diff ways ..like sending out copies to mags for reviews etc etc...
One other thing.....you might try the Real To Reel Film and Video Festival, which is held in Kings Mtn, NC. www.realtoreelfest.com
Good luck!
Adroitone,
yea, i went to the ny film academy for the month long program in 99 and it gave me a great basis for film school. If you want to be good with working with 16mm film carmeras it is a good program. learned had to work a 16mm camera, load the film, light the scene, use light meters to expose properly, and edit the film using the steinback machine cutting the film together (which is cool but now a days why everything is digital)
there might be better schools out there if you want hands on experience with 35mm cameras though.
on another note, how are digital films viewed in festivals, and by that i mean is it harder to get a digital short or feature into a festival rather than a 16 or 35mm film? or does it just matter how well it's made and acted not whats its shot on?
on another note, how are digital films viewed in festivals, and by that i mean is it harder to get a digital short or feature into a festival rather than a 16 or 35mm film? or does it just matter how well it's made and acted not whats its shot on?