anchoryanker
Well-known member
This debate comes up every time M makes a new film; complaints about Signs (which I thought was brialliantly told from the perspective of the isolated family). Whereas I like Signs best, others seem to fall into either the 6thS or Unbreakable camp.
The Village however, was panned; I liked it. Loved the cast, loved the story even if he screwed up the ending with exposition (yes, M, we get it without the explantion).
Lady in the Water I tried to enjoy, but didn't really get it. Wonderfully shot and acted, but the story didn't make sense to me.
Still, I think M is one of the few directors who really gets it, the langauge. He seems to really grasp visual storytelling.
I think he best move (if I was his agent) would be to direct someone elses property as well as giving the cameos a rest. Tarantino can get away with it purely on his films style and subject matter; I almost expect Quentin to pop up because he's peculiar and quirky and tends to fit into the storylines someway, but Night (Thanks Zak) detracts from the story when he shows up.
Anyways
There aren't too many gifted filmmakers working in HoWood right now, but I think M is one them.
I agree with this post, and thus am quoting it.
You've pretty much nailed my thoughts as well on M. Night, he's a very talented filmmaker with a interesting style. I have a lot of hope for his newest film, we'll just have to see what happens.
Tarantino, while competent, will never win an Oscar for acting but he still pulls it off because he's just so quirky and interesting to
watch. Plus, he pretty much limits himself to a goofy minor character who's more of a side attraction without too much impact on the story arc.
M. Night can't act, and he needs to limit his cameos to pretty much being a face in a crowd. Giving himself larger and larger roles in his own films is just dumb and egotistical.
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