vicrattlehead
Well-known member
Hey DVXers,
Wanted to give a quick informal report on the Edirol R-09 I just purchased. Used it on a no budget short shoot today. Two actors talking on a park bench.
I purchased this thing so that I could run a back-up recording of my field recordings for personal QC review, and for client back-up--- as a very last resort.
It's a cool little unit. I would never use the mic input for anything, but when running a stereo cable into the line input from the aux. tape outs on my PSC Aplphamix, it works really nicely. It has input control switches on the side, so you send your tone to it and set everything up proper, and it will record two separate tracks-- cool.
As other reviews have stated, yes, the battery door is fragile and awkward, but just be aware of this when you use the thing.
On the shoot today, I ran main audio out to my DVX100b, and had a sennheiser 416 (THANKS AGAIN OLEG!) on left channel and two G2s with TRAM heads mixed to the right channel. The Edirol fits in the wireless pocket of my portabrace bag, and is very small.
I also looked at the M-Audio 24/96, but did not like the idea of the internal rechargeable battery. I run with 4 G2 wireless units so I'll always have an abundance of AAs on hand to feed the Edirol.
I looked at the Zoom H4 as well, and I like the idea of the full on XLR inputs, but I figured I'd be using my mixer in front of such a back-up recorder anyway-- and always with line input. PLUS, I read on RAMPS that the Zoom H4 has a built-in non-defeatable noise gate. No thank you.
I have a 1GB card in the R-09 and this will give you a little over an hour of record time at 48khz/24bit WAV. Today, for grins, I ran it at 48khz/320kbps MP3. Sounds great and with the compression set to MP3 I could have captured about 7 hours worth of audio. Soon I will get my hands on a 4GB card so I can record longer runs of full-res audio. The 64Mb card the thing comes with will only give you about 3 minutes of run time at full-res.
On the way home from the shoot I was able to disconnect the unit from my field bag, hook it up to my iPod car radio transmitter thing-a-ma-jig, and listen to my tracks in my truck. Very cool-- I think that this will be the biggest advantage of this little device-- being able to go back through the day and listen to what I did. So many times we never get to hear our own field work....
...Now I have to save up fro the 744T!
rogar-Love(DBG):
Wanted to give a quick informal report on the Edirol R-09 I just purchased. Used it on a no budget short shoot today. Two actors talking on a park bench.
I purchased this thing so that I could run a back-up recording of my field recordings for personal QC review, and for client back-up--- as a very last resort.
It's a cool little unit. I would never use the mic input for anything, but when running a stereo cable into the line input from the aux. tape outs on my PSC Aplphamix, it works really nicely. It has input control switches on the side, so you send your tone to it and set everything up proper, and it will record two separate tracks-- cool.
As other reviews have stated, yes, the battery door is fragile and awkward, but just be aware of this when you use the thing.
On the shoot today, I ran main audio out to my DVX100b, and had a sennheiser 416 (THANKS AGAIN OLEG!) on left channel and two G2s with TRAM heads mixed to the right channel. The Edirol fits in the wireless pocket of my portabrace bag, and is very small.
I also looked at the M-Audio 24/96, but did not like the idea of the internal rechargeable battery. I run with 4 G2 wireless units so I'll always have an abundance of AAs on hand to feed the Edirol.
I looked at the Zoom H4 as well, and I like the idea of the full on XLR inputs, but I figured I'd be using my mixer in front of such a back-up recorder anyway-- and always with line input. PLUS, I read on RAMPS that the Zoom H4 has a built-in non-defeatable noise gate. No thank you.
I have a 1GB card in the R-09 and this will give you a little over an hour of record time at 48khz/24bit WAV. Today, for grins, I ran it at 48khz/320kbps MP3. Sounds great and with the compression set to MP3 I could have captured about 7 hours worth of audio. Soon I will get my hands on a 4GB card so I can record longer runs of full-res audio. The 64Mb card the thing comes with will only give you about 3 minutes of run time at full-res.
On the way home from the shoot I was able to disconnect the unit from my field bag, hook it up to my iPod car radio transmitter thing-a-ma-jig, and listen to my tracks in my truck. Very cool-- I think that this will be the biggest advantage of this little device-- being able to go back through the day and listen to what I did. So many times we never get to hear our own field work....
...Now I have to save up fro the 744T!