Digigenic
Well-known member
Okay, elaborate, and offer up a pretty reference or two that caters to your definition of artform.mcgeedigital said:To call it a "documentary" is an insult to the artform.
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Okay, elaborate, and offer up a pretty reference or two that caters to your definition of artform.mcgeedigital said:To call it a "documentary" is an insult to the artform.
I will.Digigenic said:Okay, elaborate, and offer up a pretty reference or two that caters to your definition of artform.
CallaghanFilms said:The Callaghan Top Ten Documentaries Of All Time List
01 That's Entertainment!
02 Frank Capra's Why We Fight Series
03 The Flight That Fought Back
04 When It Was A Game
05 Combat America
06 Nine Innings From Ground Zero
07 Brother, Can You Spare A Dime?
08 The Living Desert
09 Pumping Iron
10 Triumph of the Will
That's a very strong statement, you didn't like any of his films or at least have respect for the achievements of those films?Filmjunkie677 said:Spike Lee should be banished from Hollywood and never be allowed to make a film again.
Digigenic said:That's a very strong statement, you didn't like any of his films or at least have respect for the achievements of those films?
If you were a filmmaker who's seen success, and will likely continue to see success, would you like your films/art to be judged by who you were and/or are, or just for the art itself, or does it even matter at all?Filmjunkie677 said:No and No.
Okay, I lied... I enjoyed Clockers.... Before I knew about Lee and the way he thinks.
What is D.W. Griffith's legacy?Digigenic said:If you were a filmmaker who's seen success, and will likely continue to see success, would you like your films/art to be judged by who you were and/or are, or just for the art itself, or does it even matter at all?
What would your legacy be?
Digigenic said:If you were a filmmaker who's seen success, and will likely continue to see success, would you like your films/art to be judged by who you were and/or are, or just for the art itself, or does it even matter at all?
What would your legacy be?
Digigenic said:If you were a filmmaker who's seen success, and will likely continue to see success, would you like your films/art to be judged by who you were and/or are, or just for the art itself, or does it even matter at all?
What would your legacy be?
Good, there's TONS to go around.NO CA$H said:... A lot of people are saying he's playing the "Blame Game" with this Documentary...
Probably. But add one part government FAILURE (not conspiracey but inpetitude and corruption) plus one part Tuskegee Experiment (who would have believed that our goverment would intentionally inject black soldiers with siphillus during vietnam) plus the nature of racial tension and inequality that is unique in New Orleans (I can elaborate later in another post if anyone is interested) and it looks less asinine and more and more like something that a group of people who got screwed real bad might come up with while trying to make sinceof this. There have been government conspiraceys that screwed black people, but that is something you can fight. A bunch of random events lining up to kill your family members and or errivicbly alter your life - in otherwords something you have no control over and could never have any control over, is much scarier from an emotional standpoint than a conspiracy ... so that's where the notion comes from.John_Hudson said:The idea that Katrina is a result of a goverment conspiracy is asinine .
FACT ... New Orleans is a bowl surrouned by the Missispi and Lake Ponchetrain. If you fill it it will flood. It's below sea level. If you burry people in the ground their caskets will float to the surface in a hard rain. Now the frenchquarter HAPPENS to be the highest part of the city. This is why the Indians chose it, why the Spanish took it from them (hence the Spanish archetecture in the French Quarter) and so on and so on. This is the reason our place was fine after the hurricane. (and before you think we are rich we paid $640 a month in what would have been slave quarters back in the day and was now a small studio). The other rich area would be Magazine Street where there are large plantation style houses and Magazine street did partially flood. CONJECTURE So the only way an intentional consipracy theory works is if you believe that someone could accurately predict just how far the water would rise and it did literallt come within a block of the French Quarter. That's pretty pinpoint accuracey for knocking down a wall and flooding a bowl shaped city ... so yeah that's pretty implausible.jaustere said:EXCERPT:
...In interviews, and in the documentary, Lee refused to reject the belief, held by many black residents, that the government bombed the levees, flooding the poorest areas to spare the wealthiest ones, such as the French Quarter, which is the biggest draw for tourists. "We let people say what they think," he said, noting the government did destroy levees during the 1927 Great Flood of Mississippi.
jaustere said:"We have people from the Lower Ninth Ward who swear on a stack of Bibles they heard explosions. We have scientists say that it wasn't explosions, that they heard water going through a levee."
Without seeing the documentary it's hard to know in what light he's reporting it. But if a substantial number of people that were their feel this way then it is a very important part of the story ... not because it my uncover some conspiracy but because the fact that THEY believe it is an interesting, integral, and relevant part of the story. If a bunch of people said they saw John Henkley in his true Alien form for a spilt second right before he busted a cap in Ronny, then that might be a relevant and interesting part of the story. Not because any of us would put much faith in the likelihood of this happening, but to explore why those people thought they saw that ... they couldn't deal with the trauma? lack of control? and there was an Alien on a movie poster across the street ... that would be a story. Similarly, here, and I think much more profoundly, the exploration of why poor blacks would be so willing to go there might cast light in certain dark corners that are in fact at the heart of this thing, both in the greed and incompetence that led up to it and in the apathy and corruption on all governmental levels in the response.John_Hudson said:....And why report bullshi* ? If I'm doing a Doc on a flood and people start screaming it is aliens, It doesn't mean I'll report it (Maybe in the outtakes reel)...
But add one part government FAILURE (not conspiracey but inpetitude and corruption
Filmjunkie677 said:Spike Lee has and always will be a reverse-racist. Anything to lay blame on and insult the white man, Spike Lee will jump at the chance.
To quote John, this guy is a "total asshat" and I refuse to watch anything this guy associates himself with and that is rare for me because usually I could care less about people's personal life, crusades, and agendas. But this guy is a whole other story.
He critices fellow writers/filmmakers about there writing and the use of the N word in a screenplay. For people that don't know what I'm talking about, he called out Tarantino when Jackie Brown came out and called him a racist because Sam Jackson's character uses the N word 36 times. Gimme a break, that was the way Jackson's character spoke and that's the way QT is gonna write him. A writer has the freedom to write whatever he wants and to make his characters realistic as possible, so that's the way QT is gonna write.
Tarantino ain't a racist, gimme a f'n break. And now, he's blaming the white man for Katrina... If not, I'm sure thats what he's getting at.
Spike Lee should be banished from Hollywood and never be allowed to make a film again.
Okay, rant over.
John_Hudson said:Wow Jack
That is an incredible, insightful and articulate post. Thanks for chiming in on this.
And I agree 100% on everything you just wrote:
Thanks for the history as well and let us hope this Documentary is not Spikes personal Soapbox, becuase that would be the greatest disservice of all.
dmc said:Yikes - those are some powerful assertations!
dmc said:For the record, I'm not the world's biggest Spike Lee fan but I think that some of his films have said some interesting things and were well executed.
dmc said:I don't know him personally and as such can't legitimately comment on his "reverse racisim".
dmc said:There are many colorful characters in our business and making controversial statements seems to be par for the course regardless of whether or not they coincide with our beliefs. Many people (not myself) might include QT in this racially charged mix as well, given his frequent use of the N word - regardless of the fact that he has gone on record as saying that by using it in an excessive/shocking manor he hopes to take the power away from it's ugly nature/backstory.
dmc said:That said, perhaps it is Spike Lee's exact hope that stirring things up a little will keep fresh in peoples minds, something that he feels very strongly about. (I'm not comparing them as filmmakers but Spielberg certainly did that with Schindler's List.)
Actually, I don't think he's "reverse-racist" because that implies that only white people can be racist. Point in fact, he is racist.Filmjunkie677 said:Either do I, but if you don't think he's a reverse-racist, well I don't know what to tell ya.
Filmjunkie677 said:Are they? I'm just speaking my mind.
Either do I, but if you don't think he's a reverse-racist, well I don't know what to tell ya.
Filmjunkie677 said:Ugh, I don't think he uses it for shock value, thats absurd, he uses it because thats the way his characters talk.
Filmjunkie677 said:Something he feels strongly about? That the white man sucks.... Yeah, thats something to feel strongly about and believe in. Sure. Okay.