Where can I find Free Feature Scripts ?

When I get a chance I'll post the link that I used to visit often a few years back.

There were a lot of scripts unproduced there, and you could actually read them over after you signed up. It was all free.
 
OK- you've convinced me. I will either find a short script, or write my own. I have tried to write my own, but they never end up good. I get to page 25 and just delete in rage of it not being good enough.

And to The Yankee, I am only 14. I would love to come to whatever a deal you folks have in Charlotte, but I have no ride, and try to convince parents to bring you to a location where a bunch of people you met on the internet want to meet. Will not work.

Ill put up an example of the beginning of one I just started.
 
Brandon Rice said:
Oh that's right! Yeah, that was a sweet one... Yeah, Babel looks interesting... watched the trailer the other day... you ain't a Brad fan? I think he's a darn good actor.

I've never been into Brad (dont get the hype). I dont get the hollywood thing he seems to have going; making Oceans 12, making the Heine commercial ..

Its like, he's an okay actor but why he is so huge is a mystery too me.
 
John_Hudson said:
I've never been into Brad (dont get the hype). Its like, he's an okay actor but why he is so huge is a mystery too me.
He was exceptional in three movies:

Seven
Kalifornia
12 Monkeys


Beyond that...eh.
 
Blaine said:
He was exceptional in three movies:

Seven
Kalifornia
12 Monkeys

Beyond that...eh.

Exactly (I even like his spin in True Romance); and I think it's a stretch to say he was exceptional in any of them; he was satisfactory; what you' expect from a acctor IMO

I found 12 monkeys over the top and think he does not do over the top well; and over the top seems to be his thing oddly
 
TheYankee said:
I liked him in Fight Club and Thelma & Louise, also...

Complete threadjack.

-Jeremy

Who jacked my thread?

Ima get the A-Team on you! :costumed-smiley-047 :kali:
 
OK, here is what I have. Im about to junk it.

INT. DAY

Beginning. Montage of camera, film loading, setting, and painting on wall, which has a collectable spoon of Gatlinburg, Tennessee. The room walls are a light aqua/mint color. The carpet is a dark teal. Fluorescent lighting is apparent. Photography equipment is set up. The backdrop, (picture of a mountain), is rolled out.

The man who was previously preparing the camera turns his head from his chair, and camera shifts to the door.

A group of people walk into the photographer's store. They are NATALIE, VINCE, JUDY, and SETH. They are all family In another montage, you see each of them preparing for individual photos. No audible dialogue.

Natalie, a shy looking girl of 17 puts on eyeliner as she talks to Vince (out of frame). In her hands, she holds a pair of bold-framed glasses. She wears a light yellow overcoat covering a black shirt. Her skirt is black, and has red flowers embroidered in it.

Vince, the brother of Natalie, is a short, sly boy of 16, and looks considerably younger than Natalie. He awkwardly shuffles his hair with one hand, and the other is rhythmically moving fingers on his leg side. He wears a blue formal collared shirt, with a maroon tie. His pants are beige, and wears a tie with a small bronze buckle.

Judy, an old but slim woman, sprays a bottle of hair-spray into her graying hair. She winces at the spray, and cough strongly into her hand. She wears a tangerine cardigan. She unclips an employees tag from it, and adjusts her shirt. Barely visible are her blue jeans, which tightly surround her small frame.

Seth, and old wiry man with salt and pepper hair, wears a grey suit with dark red pinstripes. He holds his cane, which is plain and black, and shows a half years worth of wear. He twitches his upper lip, drawing attention to his long but thin mustache. He struggles to fix his collar, which is sticking out in the back.

Photos have been taken. Natalie and Judy sit in beige folding chairs near the exit of the store. Vince curiously looks at the spoon on the wall, and Seth pays the photographer.

A close-up of the cash register opens, and another close-up of the money and a coupon.
EXT. DAY

A wide shot of a mountain cuts to a ski-lift, where people push through a booth. It is late fall, and the sky is cloudy and bleak. The wind blows softly.

Though the outside is visible on each side, a ticket booth is shown. Behind a glared window is KIRK. People are lined in an orderly fashion, and pas the booth after their purchase. The walls in the booth are cream-colored, and there is a single hanging lamp, though it is not turned on. The outside of the booth is royal blue, which has been painted recently. No audible dialogue.

Kirk, 24, wears the BrooksEdge polo uniform, and it is obviously too small. It is tucked into his beige pants, which have a belt with a gold buckle. He is fairly tall and fit, and has a neat haircut. As he hands out the tickets thought the window, smiles professionally.

Two employees stand at the gate, tearing tickets and giving instructions. They are EMILY and EVERETT No audible dialogue.

Emily, a girl of 17, has no expression on her face. She wears a red windbreaker over a black shirt. She wears beige pants. She is skinny and of average height. Her long brown hair blows in the wind. She pays no attention to the customers. Everett works alongside her.

Everett, 19, has long unruly hair. He wears a royal blue polo, with a red and white BrooksEdge logo silk-screened on it. He wears the same color pants as Emily. His hair also blows in the wind. He has a wide smile on his face as talks to an elderly woman, and points to a young girl in the background, who waves at the waves, ready to assist the woman.

A close up of the BrooksEdge logo cuts to the ticket, which totes the same insignia.

An establishing shot shows a mountain range, with a bustling city of small stores and museums at the foot of the mountain range. This is where the majority of the film will take place.
 
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