Thanks for the compliment. I was borrowing that camera and lense from my school, and all those shots were actually taken on my way back to school to return it. I'm loving that lense though, and I am going to try and get some more shots with it, here's a (really crude) shot I took in our audio studio at school after a weekend of sleepless nights shooting a final project:
I love the barrell on the third and the multitrack... but I don't like how it draws so much attention to itself on the train tracks... if the angle let the rails morph by or continue the spread I would like it, but the implication that the rails are heading back together behind you... almost defining the rail set as a shape, rather then infinite... somehow doesn't work for me.
They're all good shots and that is a rockin' lens... I'm just being stupidly critical to see what somebody else will say.
Really? The shiny ones are the only kind they have here....except for these new ones for the hearing impaired that are flat and not really even a button....