hi
this is my 1st post on this wonderful site so please go easy on me if you've heard it all before -
is there a decent shock mount which will work for both these mics, which can be used on camera & on boom (with adaptor)?
i can only afford 1 mic at the moment, & feel the rode may be the best allrounder to start with. i film mainly run & gun documentary stuff, almost always on my own, art based workshops & events involving groups of young people, with a few informal interviews thrown in. these are normally noisy events & it is hard trying to pick out verbal interaction with lots of background noise. it is mainly indoors but not always. i know the oktava is better for indoor recording but feel the rode maybe better at picking out this verbal interaction. i am also a bit scared by the sensitivity of the oktava to have it as my 1st & only mic, but would be interested in getting 1 when i'm a bit more competent with sound.
this is my 1st post on this wonderful site so please go easy on me if you've heard it all before -
is there a decent shock mount which will work for both these mics, which can be used on camera & on boom (with adaptor)?
i can only afford 1 mic at the moment, & feel the rode may be the best allrounder to start with. i film mainly run & gun documentary stuff, almost always on my own, art based workshops & events involving groups of young people, with a few informal interviews thrown in. these are normally noisy events & it is hard trying to pick out verbal interaction with lots of background noise. it is mainly indoors but not always. i know the oktava is better for indoor recording but feel the rode maybe better at picking out this verbal interaction. i am also a bit scared by the sensitivity of the oktava to have it as my 1st & only mic, but would be interested in getting 1 when i'm a bit more competent with sound.