Fohdeesha
New member
It is definitely a much better package on paper than the Ki Pro. The high wattage of the Ki was a big turn-off.
I'd have to personally disagree, as the ki pro mini has onboard constant conversion between the hdmi input to sdi output, and the sdi input to the hdmi output. If you were to buy those converters alone separately that's a grand right there. Not to mention timelapse support, professional audio circuitry onboard with xlr connectors allowing direct balanced line in or mic/+48v, a built in webserver allowing complete config/setup/record trigger from a laptop/ipad/phone, and the huge thing, outboard playback. A huge reason I'm purchasing one is it doubles as an HD playback device, no more dragging the pc rig to the local theater/projection house for screening/review of high bitrate master copies
All of the rigs I've rented/used that were to the point of using an outboard recorder already had a battery/outboard power system in place so I guess the power consumption isn't really a bother for me. I guess some people would still like the small run-n-gun package with an external recorder though. whatever floats your boat, or finds your lost remote!
I would say from my experience with the Nanoflash that 24bit capture does make a difference. 24bit audio is one of the features I have come to really enjoy on the Nano. Even though I record through the camera the end audio file is a lot cleaner and has more dynamic range when I put it in Cakewalk Sonar to sweeten.
Ahh, the placebo effect, what a beauty. The EX series internal audio processing is 16-bit, it pads the embedded sdi stream to 24-bit. Even if that wasn't the case, the dynamic range of the EX series audio circuitry is 87.6db (at line level input, I'm sure it's lower at mic level input), so it's not even pushing the limit of 16-bit's 96db.