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I completely disagree. When setup properly by the operator, both are excellent tools on the FS7, and no extra monitors or 3rd party EVF is needed.zebra and peaking are almost useless too!
Focus Mag? Yes, it is ugly and useless. And completely impractical for focusing on anything that is moving when you want to maintain a decent composition. Peaking, baby, peaking, is all one needs.We have to agree that the 'focus bash' (punch in) is awful upscaled digital mush? (but on static objects it is useful)
So, what if you're using a zoom lens? Watcha gonna do then?I find that you have to dial in the focus peaking intensity for the focal length, otherwise you get false positives.
And that is still the recommended method for 2/3" lenses.I learned to focus a 2/3 interview by crash zoom in on the eye and pulling out for the chat? (obviously relying on a highly parfocal lens)
That's the challenge. Yes, I was referring to colored peaking.So, what if you're using a zoom lens? Watcha gonna do then?
Sounds like you are using colored peaking, which is inferior to normal peaking on the FS7.
Yes! Different lenses deliver different results on peaking. Especially long zoom lenses. But there again I find quite different results between cameras with the same lenses when moved between cameras. The FX6 peaking appears to be more aggressive, if I can put it that way, when compared to an FS7 or a current series A7 mirrorless.I find that you have to dial in the focus peaking intensity for the focal length, otherwise you get false positives.
The word is "crude". The FX6 has very unrefined peaking and zebras. I think they came from the prosumer NXCAM products, rather than the higher-end ENG and cinema camera.The FX6 peaking appears to be more aggressive . . .