Red compression and matrix tests

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Starting to key now. I want that REDCODE image to be linked so I can see how I can key that. Also I want to mess with the color matrix grabs.
 
The material exists, but as REDCODE is in rapid development, I don't see the point of keep posting up every little change I make. I'll be making more changes soon, so let's wait a bit.

And once the architecture is fixed, there's a large bunch of "magic numbers" that can be altered too....

Graeme
 
Graeme_Nattress said:
The material exists, but as REDCODE is in rapid development, I don't see the point of keep posting up every little change I make. I'll be making more changes soon, so let's wait a bit.

And once the architecture is fixed, there's a large bunch of "magic numbers" that can be altered too....

Graeme

Graeme is such a tease...:laugh:
 
Was keying in AE in the 4k film comp settings and I just had to point and click, nothing was a problem. I saw all the detail in the mesh trash can and no color bleeding of the greenscreen. This is awesome!
 
Graeme_Nattress said:
BTW, I've radically improved REDCODE since those were done...
On the side note and related to the RED's camera: If the matrix is change/modify to allow for more dynamic range, then would the gamma curve be more compressed as a trade-off?
 
We're not changing matrix or gamma curve to get more DR - we're doing some voodoo sensor magic. I think "matrix" was just a turn of speach.

Graeme
 
Graeme_Nattress said:
We're not changing matrix or gamma curve to get more DR - we're doing some voodoo sensor magic. I think "matrix" was just a turn of speach.
Speach?? Is there a fundamental difference between modifying the matrix and doing some 'voodoo sensor magic'? :)
 
This is fun. It's wretched and took about 4 minutes, but the key is stunning at 4K. One click, one slider and it's clean as hell. A little tweaking and color work [and a background that isn't old, poorly lit and matches] and some amazing stuff could be possible.

I'm so excited. I just threw a second green screen image into the same tree and got the second [coffee] image.
 

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WOW! Brook, that looks great.
I'm so excited to play with this new camera, but I doubt I can light things as nicely as a Pro gaffer.
 
Graeme_Nattress said:
We're not changing matrix or gamma curve to get more DR - we're doing some voodoo sensor magic. I think "matrix" was just a turn of speach.
Thanks for the e-mail help, you've been responsive and knowledgable. Whatever you or the RED's team do to the sensor, DR to me is very important, as I'm doing lots of scene that I have no control of the lighting.
 
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