NEWS from Panasonic at NAB!!!!!

PsUK

New member
After reporting strong growth in HD products and their P2 product line as well as a strong story on their Plasma screens, Panasonic rolled into their new product annoucements. First off was a 103" 60P Plasma screen for fall this year. Panasonic will be, once again, showing this screen on their NAB Booth.

The majority of the presentation focused on their DVCPRO HD product line, which started with a review of the AG-HVX200. Panasonic reported selling 10,000 HVX200 units since shipping started at the end of December.

Joe Facchini, Director - Product Marketing, Panasonic Broadcast & TV Systems, introduced the new products, starting with an update to their extremely poplular AJ-HDX900 to an HD-capable version.

AJ- HDX900 Camcorder

This revision of the popular AJ-SDX900, the AJ-HDX900 adds support for the DVCPRO HD codec and a multi-format recording system that supports 1080 59.94i/50i/29.97p/25p/23.98p/23.98pA and 720 59.94p/50p/29.97p/25p/23.98p.

The AJ-HDX900 features a native 16:9, 2/3” HD, 1-million pixel 3-CCD system with low light shooting down to 0.032 lux (at+62 dB gain). It is equipped with 14-bit A/D DSP circuits that provide optimum picture quality, color reproduction and luminance gradation. The camcorder offers three Cine-like gamma modes to replicate the look and feel of film. The AJ-HDX900 is compatible with a wide range 2/3” quality lenses and accessories.

The AJ-HDX900 will be available in July at a suggested list price of US$26,500 (plus viewfinder).


AJ-HD1400 HD VTR

This is the successor to HD1200 with all of the AJ-HD1200's capabilities but including Assemble and Insert editing, It pllays DVCPRO 50, DVCPRO 100, DV tapes as well as DVCPRO HD. This deck now comes with IEEE1394 and HD-SDI built in (no extra boards to buy) and will be available in July 2006 at a MSRP of US$25,000.

The AJ-HD1400 delivers all its predecessor’s capabilities plus comprehensive assemble/insert editing functions controlled by either the RS422 9-pin or IEEE 1394 interfaces. The VTR features HD-SDI in/out and SD-SDI out for applications such as line recording and in-studio production, and supports VANC metadata (UMID, CC, et al.) and also encoder remote control (component/composite style). It incorporates a built-in up/down/cross converter, so that users can play back DVCPRO50, DVCPRO and DV tapes and output a converted HD signal. Utilizing the advanced DVCPRO HD codec, the AJ-HD1400 supports superior 4:2:2 color sampling and independent frame compression.

All formats from around the world are supported inlcluding 1080/59.94, 1080/50i, 720/60p, 720/59.94p and 720/50p, and it can convert from an AJ-HDC27 VariCam 50p recording (over 60p) source to native 720p/50 or PAL output.


AK-0HC1500G multipurpose HD camera

The AK-HC1500G also debuts as the first multi-purpose camera to feature a variable frame rate functionality and cine gamma curve, features that have distinguished the company’s popular VariCam HD Cinema™ Camcorder including true 24P recording.

The HD production quality, high-performance AK-HC1500G incorporates proprietary Panasonic innovations, including new IT-CCDs, 14-bit A/D converter and digital signal processors to deliver crisp, sharp high definition images from dark to bright areas. The 1-megapixel, 2/3-inch 3-CCDs produce outstanding color accuracy, with improved on-chip lenses to achieve a standard sensitivity of F10.0 at 2000 lux and a smear level of less than -130 dB. The AK-HC1500 uses CCD accumulation and horizontal/vertical addition to create a gain increase of up to +68 dB (with a minimum illumination of 0.015 dB).

The AK-HC1500G offers both 1080 (60i/59.94i, 50i, 30p, 25p/24p) and 720 (60p, 59.94p/50p) high definition output. The camera boasts a wide range of variable frame rates (4-fps to 60-fps in single-frame increments) for “overcranked” and “undercranked” off-speed in-camera effects, and its CineGamma™ curve reproduces images that closely match the latitude of film stocks.
Other key features include a standard HD SDI output; a 12-axis color correction circuit for fine adjustment of saturation and hue; an Electronic Extender for magnifying the image by 2X; genlock; DC (+12V) operation; a mini 15-pin connector; tally function; and iris and zoom/focus controls. The camera has a low power consumption of about 18 watts and compact footprint of 3.5” W x 4.6” H x 6.2” D and weighs in at just 3.3 pounds.


The AK-HC1500G is available now at a suggested list price of US$19,950.


Details of Pansonic's broadcast cameras and P2 worklfow accessories will be posted later tonight, but include:

A 720 P 1080i, 480i or 576i Progressive 2/3" CCDs - the AJ HPC2000 with sensitivity at really low light. Five P2 card slot, each hot-swappable to record up to 40 minutes continuous recording for US$27,000 in Jan 2007;
AJ HPM200, P2 mobile recorder based on the P2 laptop editor, with 6 P2 card slots, 9" widescreen LCD monitor, SD card slot. Jog/shuttle. $12K available in November;
AJ-HPS1500 P2 studio recorder - for ingest, up/down conversion and comes with five P2 slots, FireWire, USB 2, HD-SDI and 3.5" LCD. VTR coontrols with large capacity removable storage. January 2007 with a likely price of US$19,000;
AJ PCD20 Five Slot P2 drive - data transfer over FireWire or USB2 - Mac and PC available July $1980.
The other long term announcement was the use of an intra-frame version of the Advanced Video Codec (H.264) that will double the record duration of P2 media at the same high quality. More on that development later.

Jan Crittenden, Product Line Business Manager for DVCPRO, DVPRO 50 and DVCPRO HD will be interviewed on Creative Planet's Digital Production BuZZ on Wednesday April 26th at 3:15 pm Pacific Time.

Philip Hodgetts, from the Panasonic Press Briefing.

Click on black links to aditional info.

(FROM HERE)
 
That's what I'm talking about...

That's what I'm talking about...

AJ HPM200, P2 mobile recorder based on the P2 laptop editor, with 6 P2 card slots, 9" widescreen LCD monitor, SD card slot. Jog/shuttle. $12K available in November

:)

e
 
The other long term announcement was the use of an intra-frame version of the Advanced Video Codec (H.264) that will double the record duration of P2 media at the same high quality.

Wow, he said 'intra' frame, not 'inter'... good panorma for Apple and Panasonic.
 
Here all news from Panasonic at NAB:

Panasonic Delivering AK-HC1500G, Industry’s First Compact, Switchable 1080i/720p HD Camera

Panasonic Introduces BT-LH2600W 26” Widescreen High Definition Production Quality LCD Monitor

Raycom Expands Roll-Out Of Panasonic DVCPRO P2, Makes Purchase To Convert 12 More Stations To Solid State Newsgathering

Panasonic Announces Advanced AJ-HDP2000 2k Film Data Processor For The D-5 Universal Mastering VTR

Panasonic’s AJ-HDX900 DVCPRO HD Camcorder Provides Full 4:2:2 HD Production Quality And Format Versatility

Panasonic Debuts AJ-HPC2000 Full 2/3” P2 HD Camcorder, Offering Production Quality Video And Superior Reliability

Panasonic Debuts AJ-HPM100 P2 HD Mobile Recorder For Field Use

Panasonic AJ-HPS1500 P2 HD “Station” Bridges HD And SD Environments With Extensive Production Capabilities

Panasonic Announces Enhanced Five-Slot P2 Solid-State Memory Drive

Panasonic Upgrades Multi-Format HDTV Camera System By Making It Switchable Between 1080i And 720p

Panasonic Debuts Compact Six-Input HD/SD Live Switcher

Leading Film School, Chapman University’s Dodge College Of Film & Media Arts, Purchases $1.6 Million In Panasonic HD Digital Video Products

Nexstar Broadcasting Group To Convert News Operations In 26 Markets To Panasonic DVCPRO P2

Panasonic’s New P2 HD Line-Up Offers Solid State Reliability And Full DVCPRO HD Production Quality Video For High Definition Applications

Mac P2 Viewer For Panasonic AG-HVX200 Hand-Held DVCPRO HD Camcorder

Panasonic’s New, Shoulder-Mount AG-DVC20 3-CCD Mini-DV Camcorder Offers Outstanding Performance For Entry-Level Videographers

Panasonic HD Equipment, Featuring P2 Solid-State Recording, Selected for Beijing 2008 Olympic Games

¿Anything else?... :D
 
Last edited:
All about HD Log, from Imagine Products, Inc.

LogDocument.jpg
 
Interesting, from one of the links above:

New P2 Drive Offers Enhanced Capacity and High-Speed Data Transfer via USB 2.0 or IEEE 1394b

The AJ-PCD20 internal/external drive is designed for high-speed file transfer of DVCPRO HD, DVCPRO50 DVCPRO video into nonlinear editing systems and servers. A user can mount five 8 GB P2 cards (containing up to 160 minutes of recordings in DVCPRO, 80 minutes in DVCPRO50 and 40 minutes in DVCPRO HD) at the same time and have access to the contents on all five cards for continuous editing of recorded clips in sequence. With the AJ-PCD20, digitizing is eliminated, so that material can be accessed almost instantaneously.

As an internal drive, the AJ-PCD20 installs in a standard PC type 5.25” bay drive enclosure, and through its high-speed USB 2.0 or IEEE 1394b interfaces, connects to the host computer, and through that computer to a television station’s local area network (LAN). For in-the-field use, the AJ-PCD20 serves as a stand-alone external drive and teams with a notebook PC or Mac PowerBook for editing and playback. The drive offers
Windows 2000/XP and Mac OS X compatibility.

The AJ-PCD20 card drive will be available in July at a suggested list price of $1,980.
 
Last edited:
$699?! That is flat out RIDICULOUS for logging/organizing software. The company states that it doesn't tie up Final Cut Pro and will log clips in the background. Heck, I'd rather buy a whole new COMPUTER for that price. That won't tie up Final Cut either.
 
$700 for something Windows users get for free!? They're nuts if they think anyone will buy it for that feature.
 
Panasonic reported selling 10,000 HVX200 units since shipping started at the end of December
If that's true, that's amazing. JVC is claiming 12,000 HD100's in nine months, and Panasonic's done 10,000 units in just three and a half, and the first month or so was completely backordered...

The HDX900 looks pretty sweet. A high-def SDX "on steroids". Tape-based though. That will probably work for stringers and those who hand over a tape at the end of a shoot, but... well, I sure hope there'll be an HPX900 (assuming SDX/SPX naming) for P2 acquisition and a correspondingly lower price!

No news of a VariCam II, and from the people I talked to, there won't be a VariCam II anytime soon, the VariCam is still considered a current model.

The H.264 announcement is very cool too -- recording to a different codec doubles the card's capacity.
 
Barry_Green said:
The H.264 announcement is very cool too -- recording to a different codec doubles the card's capacity.

Does anyone have any url's to any testing of h.264 vs DVCProHD. Since this announcement I've heard people saying, same quality, half the bitrate. Is this for real? Would like to see some info on this if anyone has it.

Cheers
Aaron
 
New H.264 codec implement in Panasonic will be at end of 2007... it's too soon for this :D.
 
nycfilmmaker said:
these guys have to be smokin something to charge 700 bucks for a viewer.

If someone will pay $2,000 for a P2 card then is seems like a good deal!
 
Anders Holck said:
I found this paper by Googling:
http://www.eg.org/EG/DL/WS/EGMM/MM04/077-086.pdf.abstract.pdf;internal&action=paperabstract.action
It compares interframe encoding with Intraframe using the AH.264/AVC codec
Panny was talking about INTRAframe encoding.
AFAIK, AVC or even FRExt does not improve intraframe compression effiency much and there really is no intraframe profile in AVC at this time.
Wavelet should be the choise of this decade...

So what we are talking about is a codec that might start to exist 29th of December (like one camera model) 2007.
First software support for ntsc framerates somewhere in the end of 2008 and support for us Europeans somewhere in 2009.
I believe that most of us professionals will be shooting RAW by then, but then again Panny's "intraframe-AVC" might be RAW-compression codec...
 
Last edited:
Back
Top