So this is a question that has multiple answers...and to really understand why you have to have a decent knowledge of camera history (last 15 years) and understand how they were made and limited.
In short, if you used a camera from 10 years ago that pixel-binned and line-skipped its 1080p, but...
FWIW, it's okay to ask; communication is always best, all great editors (or people good at their jobs, in general) communicate thoroughly about each and every process.
But, yes, every recording of everything is always ideal for the final product/mix. Could be a few files or hundreds (bigger...
Could anyone use the power and speed? Really incredible computer.
Perfect for the road, on-the-go, even as your main workstation to cut through the day-to-days.
Just wondering, what do you mean the BM MFT lens mount doesn't have contact points?
[It was a little messy back then; some adapters didn't work, some were updated to work later, Metabones released a few different ones over the years, etc.]
I don't know about the first one with that context, but Sidus Link Pro has a database of info:
https://help.aputure.com/en/sidus-link-pro
I'm usually a text/manual guy and then polish off the brain with random YT videos to see a visual approach/practice/execution of something, when necessary...
It's over...the artists are gone...filmmaking's shot...industry's done...no more pros...😭
You might need a new hip if you tried to walk and talk vlog with it...🤣
Thank you!!:)
The improved resolution from oversampled sensors (even if you're shooting 1080p from a 4K chip), more dynamic range (4-5+ stops than something like an HVX200) and higher-quality color information (422/444 10,12-bit+) is so drastic that I am genuinely jealous you see it that way. lol
Lighting is...
Very specific, pinpoint information in all areas of life has to be found with some effort; it's not all immediately there on the outer layer, just not how good knowledge works.
Thorough research require a few clicks, maybe different wording to land in uncommon places which might have the answer...
Maybe a bit of a false memory and nostalgia at this point, but the DVX100 (B for me) seemed extra special with how loose something felt inside.
It's like the object moved from left to right if you tilted the camera back and forth, I can sense the action in my brain so many years later, ha.
Those old Panasonics had such beautiful colors, but the resolution wouldn't cut it for most today; just too dated in a world with a very advanced 'film look'...but might be perfect for something more vintage-looking.
Oh, yeah, totally skipped that - but the answer applies (or could) to the letters, too (usually referring to the newest models of cards).
Obviously not your camera, but - just to support the entire conversation - I have an ARRI Classic and could only use the lower-capacity SxS cards (A-D) or...
after hours DVXuser twilight zone to see it brought up again 15 years later...someone make a movie about it and submit it to one of the site's horror fests, which are just dying to make a comeback here, too