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Thanks Tom , You've always been a voice for good clear information here, and the comments about RAW were interesting .

Thanks for responding guys. I did mention I'm not shooting RAW and though its probably irrelevant - XAVC-I . Dustin , Unfortunately I've recently learned that the RAW settings are not irrelevant to shooting ordinary Slog non RAW - they can apply whether you're aware of them or not though Tom...

I'm going to cross post this in the Sony Camera forum also since its Sony specific: I shoot on FX9s and FX6s in Cine EI and edit in Resolve ( now its 20) using CSTs instead of LUTs. I recently discovered that the project RAW settings and the similar RAW tab on the color page can be used...

I'm going to cross post this in the Color Grading forum also but since its. Sony specific here also : I shoot on FX9s and FX6s in Cine EI and edit in Resolve ( now its 20) using CSTs instead of LUTs. I recently discovered that the project RAW settings and the similar RAW tab on the color...

I usually shoot one camera unless the director prefers more - especially if I don't have a second Op. Likewise if i'm passing it off its their choice. I frequently edit my own single camera interviews. As i mentioned before - if you're shooting 4K (UHD) and finishing in HD like most people...

I read something on an old post I think here that someone just sprayed the cleaner around the switch as a preventative. Maybe a good idea on the EX-3. The problem seems to be very common . I don't think of the Ex-1 for "retro-style" - just for ease of use where no one cares about the style and...

Things will move very fast - I think the 24-105 will do you well and yes Clear image zoom can be very helpful in reaching further in + its fast . No one will see the minor loss in quality. Also if you're shooting in 4K most people are finishing in HD so you already have the option of doubling...

I know the Ex-1 is an old camera but it still works for a number of situations and i just had a major problem and solution that i figured i should post . i was about to use it for a shoot and found that when i turned it on it would turn itself off then on again repeatedly . Turns out if i...

No it was an e-mount . I've had many issues with metabones that were usually solved with a reboot. I've been running the camera for a couple of days to see if iu can replicate it and I haven't . Honestly making me wonder if there was maybe some kind of operator error. I plan to .look over the...

That's what monitors are for, you just need to make a visual guess . Harder in the old days when we just had B&W viewfinders though- then 4000 or so was the safest guess.

Not sure what you wanted a reaction to here,. It looks fine and it does look like sunlight . However as a few points of information: 1- direct sunlight is a single point - typically wouldn't be emulated by 2 lights coming from reflectors. No problems with this shot but it very well might be...

It was a sigma 105 at f1.4 but I don’t see what the lens should have to do with it . Negatory re auto nd . It’s very obvious when you jump to that .

Whatever - Let's let it drop . The post is to alert other FX9 ops and to find out how common this was, if there's a fix, and if there's any pattern to when it happens. I've had the camera since it came out and never noticed it before. I know I can use physical filters.

Exactly why I posted here. Not quite sure what your point is - this is a discussion forum for Sony cameras. Unfortunately Sony used to have ways to contact them directly - a website with a discussion group and terrific US reps who were very responsive but they got rid of the website and...

I was shooting an interview all day yesterday and 2x's I noticed that the electronic ND setting I was using "1/11" had unexpectedly drifted . Once to 1/8 and another time to 1/10 . This was very disturbing as it changed the exposure . I was not touching the camera and it was not set to auto...

No 6 here FS5 and FX9 though I think the advice would be the same. Thanks

Well the equipment available to the producers is an FS5 and an FX9 . So that was the original idea. Then we thought about trying to sell them on a 2 shot camera and an A7siii is available . I don't know that they'll pay for it . It dawned on me though that if we bring the A7 on then it...

I have a possible job coming up just shooting a conversation between 2 people with 2 cameras shooting iso's of each person but the available cameras are only an FX9 and FS5 . Will these cut OK if we shoot UHD Slog 3 on both ? Might have an A7siii as a third camera doing a 2 shot . Of course I...