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Different tabs where you can swtich between different timelines. I like how in Resolve you can even add stacked timelines.

Yeah I still don’t like that. Why they couldn’t just give us multiple timelines in the same project is beyond me.

Yeah but I'm talking about multiple regular timelines. Like the sequences in Premiere or timelines you get in Resolve. I often work on multiple videos within a given project that share assets between them. Being able to nest timelines is something both of those programs can do as well, which is...

I also used to be a big fan of Vegas Video. Cut my feature on version 4 and other shorts on version 3. Along with many coprotate projects on later versions. Last I used it was the beginning of 2011 when I was starting to make the transition to Premiere Pro. The reason I switched is because I...

Yup. At most it's a luxury that will save me time in post syncing interviews for client location shoots. I think that's a big part of the reason I haven't bought any yet. Plus I have two other people that use my gear and bring me footage back for editing, and I would need to train them to use...

Honestly guys I don't do a ton for client shoots anymore, so I'm hesitant to drop any more money into new gear. I mostly work as just an editor these days. But I've been trying to get motivated about putting out some youtube videos on a regular basis and I really don't want to have to do sync...

I just never bought one. I've been thinking about it for years. I'm eyeing one of those little Rode Wireless Go/Pro systems. I probably should. I probably should have a couple years ago.

Thank you guys so much. The dumb thing is, I know one of my lav mics requires the plug-in power, because I read that it does. So I expected that one not to work, and it didn't. But it never really occurred to me that all of them do. I don't know why.

I don't now what is going on. I have three different kinds of 3.5mm connected lav mics and they all work great with my GH4 and my three different Zoom recorders, as well as my iPhone. But none of them will work with the 3.5mm mic jacks on my two C100s. So yesterday I ordered a couple of female...

I agree that the closest thing we really have these days in the video world to a record is something like Blu-ray. In terms of feeling like you aren't compromising on quality while watching it. And you're right that in the minds of several people it has inherited an analog-ness to it by fact of...

I agree it's a different dynamic. Although what I find strange is that music is a format we usually want to be portable. We want to listen to it in the car or out on a run or wherever. Movies and video content aren't necessarily like that. Yet of the two right now, people are collecting music on...

Yet even gen z are buying records. So why that and not video?

I admit I got roped into vinyl record collecting back in 2014. But I have an excuse. I inherited my parents old 45 collection (along with their VHS collection) and even though it isn't a huge collection, maybe a hundred discs, I figured I might as well have a way to play them. I have no...

Thanks for your feedback everyone. I will take all of it to heart. I do have to count my blessings when it comes to video work. I may not have a lot of clients but I've had them for years and they've been flexible with me for the most part, with the exception of increasing my rate with this...

So I have a client that I've worked with for years. In fact the contact I worth is at this client is a personal friend of mine, he's the reason I even have the work from them and I've been lucky to have that work. My friend is very fair and understanding, but sometimes his hands are tied on...

Yeah that lack of EVF is a big issue for me. I kind of hate that big chunky DSLR style design canon went with for the C70/80. Wish they had given us a C100mkIII instead. Which I guess the C200 kind of is, it's just bigger. I honestly think I would barely shoot raw on the C200 if I had it. Just...

So many great replies. Very true. That seems like a good price on the FS5. Honestly I don't know enough about the differences between those cameras mkI and II. Or that camera in general. I'll have to look into it more, but like you said, there is an argument to be made sticking with the canon...

So here is the current thoughts. C200 I think might be the best match for me. It offers HD at a slimmer 8bit 4:2:0 size similer to what I'm used to with my C100mki while also giving me the option of UHD/4K at 150Mbps. But also 10/12bit RAW if I decided to do another short film. It gives same...

Still working with my trusty old C100s for client shoots, but I'm getting the itch to upgrade to something else. No push from clients. I mostly work as an editor these days but do get a handful of smaller shoots every year. Figured I should probably get something that does 4K. Looking to stick...

I'm always happy to hear a person's formula. In truth I really don't do a lot of experimenting with trying to achieve the film look in post production. I've done some basic curves, color grading, and film grain overlays on occasion, but I don't have a lot of projects where it's something I can...