The H1 is HDV, so I would suggest converting the HDV clips to XDCAM so your timeline is clean, and you don't have to render every time you touch the HDV vootage.
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Work Examples - Vimeo - My Music
Sony FS5 :: Panasonic GH4 :: Sony EX1 :: FCPX :: Senn G3 / RodeLink Wireless
Rode NT1, NTG-2, NTG-3 Shotgun, NT3(Pair), NT4 (Stereo), NT2000, AT4053b Hyper
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Oh. I just match color in post - much more accurate. But maybe there is someone who has gone the extra mile.Work Examples - Vimeo - My Music
Sony FS5 :: Panasonic GH4 :: Sony EX1 :: FCPX :: Senn G3 / RodeLink Wireless
Rode NT1, NTG-2, NTG-3 Shotgun, NT3(Pair), NT4 (Stereo), NT2000, AT4053b Hyper
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Two new PPs for color and details:
[IMPROVED VERSION]
So far REELCOLR is looking like one of my favorite picture profiles.
I wanted one PP with saturated but balanced colors and started with George Struthers color setting, which he balanced on a scope. They were a little too saturated for me. I reduced the saturation a bit, experimented then changed a few more settings.
I also wanted details to show up without the over sharpening halos most people get with Detail ON. Eventually I went with Detail OFF.
This produces rich colors without being garish, and a nice range of colors.
REELCOLR
MATRIX......on
Select... Cinema
Level.........-1
Phase........3
R-G.........64
R-B.........0
G-R.........-1
G-B.........23
B-R.........13
B-G........-29
Color Cor..off
White......off
Offset A.....0
Offset B.....0
OffsetATW....0
Preset Wh...5600
DETAIL......OFF
SkintonDet..off
KNEE......grayed out
Gamma L......0
Select......Cine1
BLACK........0
Black Gam....4
LowKeySat....13Last edited by Duke M.; 09-11-2010, 04:29 AM.
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Per Andy Shipsides:
HVX Matches for EX1 (All other settings at default or 0)
PP1: Cine V
Matrix –
- Select: High Sat
- Level 0
- Phase +2
- R-G -11
- R-B -23
- G-R +38
- G-B 0
- B-R +17
- B-G -23
Detail –
- Level – 30 (subjective)
Gamma –
- Level -1
- Select: Cine 1
Black – -2
Black Gamma - -99
PP2: Cine D
Matrix –
- Select: High Sat
- Level 0
- Phase +6
- R-G +22
- R-B -36
- G-R +19
- G-B 0
- B-R +14
- B-G -16
Detail –
- Level – 30 (subjective)
Gamma –
- Level -1
- Select: Cine 1
Black – -2
Black Gamma - -96
PP3: HD NORM
Matrix –
- Select: Standard
- Level -5
- Phase +1
- R-G +8
- R-B -30
- G-R +15
- G-B -24
- B-R 0
- B-G +10
Detail –
- Level – 30 (subjective)
Gamma –
- Level +11
- Select: STD4
Black – -1
Black Gamma - -52
PP4: FLUO
Matrix –
- Select: FL Light
- Level -8
- Phase -5
- R-G -64
- R-B -24
- G-R +64
- G-B -18
- B-R +24
- B-G -23
Detail –
- Level – 30 (subjective)
Gamma –
- Level +11
- Select: STD4
Black – -1
Black Gamma - -52
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Can you show Before/After stills Duke?Work Examples - Vimeo - My Music
Sony FS5 :: Panasonic GH4 :: Sony EX1 :: FCPX :: Senn G3 / RodeLink Wireless
Rode NT1, NTG-2, NTG-3 Shotgun, NT3(Pair), NT4 (Stereo), NT2000, AT4053b Hyper
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I've combined elements of three previous picture profiles with Wolfgang's low noise picture profile, that I'm now calling BALANCE. It balances color and range with low noise. (Colors were initially centered on the scope, then tweaked by eye, while trying not to boost anything wildly.)
MATRIX - ON
SELECT - STD (use with auto knee for the curves)
LEVEL - 0
PHASE - MINUS 5
R-G - PLUS 22
R-B - 0
G-R - MINUS 14
B-G - MINUS 13
B-R - PLUS 3
B-G - MINUS 11
COLOR COR - OFF
WHITE - OFF
DETAIL - OFF
[ALT DETAIL - ON
LVL - MINUS 30
FREQ - MINUS 87
CRIP - MINUS 80
HV - PLUS 25
W LMT - 0
BLK LMT - 0
V DTL - NAM
KNEE APT LVL - MINUS 45]
SKIN TONE - OFF
KNEE - ON
AUTO KNEE - ON
GAMMA LEVEL - MINUS 4
SELECT - STD4
BLACK - MINUS 5
BLACK GAMMA - 0
LOW KEY SAT - 0
Set for 0db of gain.
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Originally posted by surebll View PostAny new PP for the Sony EX3 for good natural skintones? The ones I find often have a greenish look to them when I upload the footage. I shoot with 56k KinoFlos..
have you been using profiles posted for the ex1? I found out the hard way that ex1 and ex3 profiles are not interchangeable. an ex3 profile on my ex1 produced some huge blue/green shifts. Honestly, profiles between cameras of the same make even are not interchangeable, to an exacting degree anyway
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Originally posted by Fohdeesha View Posthave you been using profiles posted for the ex1? I found out the hard way that ex1 and ex3 profiles are not interchangeable. an ex3 profile on my ex1 produced some huge blue/green shifts. Honestly, profiles between cameras of the same make even are not interchangeable, to an exacting degree anyway
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Poppy the green screen cherry this Friday
so, as the title suggests i am shooting my first green screen job this Friday. its just a basic interview with our subject in front of the screen. so, i was wondering what 's a good PP for this type of shot. i'm aware of the normal concerns such as using the lowest gain, -3db, and turning Detail off to pull a clean matte. what else makes for a good clean composite?
thanks in advance,
Mike
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Perhaps more important than the camera settings will be the lighting. Think of Chromakey as two distinct lighting set-ups... the background and the talent. Strive for a very flat background without over powering. A waveform can show you this. You're looking for a flat line with few dips or spikes (dim spots or hot spots). Chromakey green can be lite with a flashlight, so one doesn't want to keep pouring light on it in the quest for flatness. Your artistic lighting will be on the subject. Keep in mind what the eventual background plate may be in order to match the style of lighting. If the background is something rather generic, then I like to use back side kicker lights to give a real pro separation look. Chromakey is part science and part voodoo. You'll eventually develop techniques that work for you.
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Turn on the shutter (1/60th) if you're shooting 1080 30p. Or you can shoot 720 60p. If you're shooting a single person, turn the camera sideways (we use a Spyder Ringo Head for this) as you'll get 1920 pixels in height instead of just 1080.
Here's an example of shooting green screen with our EX3, shot at 1080 30p with 1/60th shutter. We didn't turn the camera sideways for this shoot as we were using a teleprompter. http://www.vimeo.com/20622583Sony EX3, Crosziel base plate & matte box, Sachtler FSB8 tripod, Steadicam Flyer.
Canon 5DM2, 16-35mm, 70-200 IS II, Zacuto DSLR plate and Z-Finder Pro 2.5x, Arri MFF-1 FF.
20 years as a videographer/editor. Experienced with Apple products, Final Cut Studio, Adobe Creative Suite, MOTU Digital Performer, Flip4Mac, etc...
http://www.focalpointmarketing.com
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