The 24-105 on the FX6 was a really nice surprise. Better than the Canon equivalent in every way except manual focus, and even that isn't terrible.
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Sold my FS7 today
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I've only use my 28-135 on tripod for stationary camera stuff, mostly live streaming. It's definitely not too long or wide for r&g but the weight is getting up there. If it's going on your shoulder, it's probably not an issue. I've tried it a couple times on gimbal and I don't like the heft.
The AF on sigma 24-70 is great but the lens is basically the same thing as your tamron 28-75. The tammy may even have marginally better AF. Anyway I don't think you would need both
Servo zoom on the 28-135 is handy if you ever need it. I don't have a single other lens for that purposewww.VideoAbe.com
"If you’re really in favor of free speech, then you’re in favor of freedom of speech for precisely the views you despise. Otherwise, you’re not in favor of free speech." - Noam Chomsky
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Originally posted by scorsesefan View Post
How do you find it in low light on your FX6? I just love my Tamron 28-75 on my a7siii in low light conditions but it's non-IS and prob wouldn't use off sticks on an fx6...
There are times when I wish I had another stop but that's always the case, and I'm happy to trade that stop for IS, especially when it comes to R&G stuff. The implementation of gyro-stabilization in post still leaves a lot to be desired, enough so that I'm hesitant to buy any more non-IS lenses for the time being (aside from specialty primes and the like).
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Originally posted by drboffa View Post
I suppose it depends on how you define "low light" but I find it more than adequate in what I would consider "normal" low light situations. I've definitely used it on some very dim shoots and been happy with the results. F4 isn't exactly "fast" but it's pretty good considering the FX6's Hi Base.
There are times when I wish I had another stop but that's always the case, and I'm happy to trade that stop for IS, especially when it comes to R&G stuff. The implementation of gyro-stabilization in post still leaves a lot to be desired, enough so that I'm hesitant to buy any more non-IS lenses for the time being (aside from specialty primes and the like).
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Originally posted by scorsesefan View Post
Yeah, having to up the shutter speed in order to stabilize in Catalyst is something I definitely want to avoid...
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You guys are great; thanks for your advice and discussion here.
I'm leaning moving away from the FS7 before it depreciates even further. Honestly, I'd love a pro cam with reliable AF in a more portable package -- -- while maintaining both the proper ND and XLR built-in in the FX6. Right now for AF stuff, I have an A6600 with a Sigma 16mm 1.4 and a Sony 30 1.8 -- but there's no ND and no XLR.
Meanwhile, I still love my EF-E speed booster, which gains an f-stop on my three IS Canon f/4 zooms (16-35L, 24-105L, 70-300). Plus, I get extra reach with the standard EF-E Metabones when needed. I use all 3 lenses with my A6600 for stills as well. Run-n-gun stuff I do has necessitated IS.
I was thinking....maybe sell off the FS7 now (as I'm not filming much immediately) and hold the cash until used units come available...and try to get by with my A6600? It's just that the FX6 would require FF lenses and that would require a lot of extra cash...
BTW - If you had to get 1-2 lenses for the FX6, what would they be?
Any more thoughts? Thanks again.
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Originally posted by thoomp View Post
BTW - If you had to get 1-2 lenses for the FX6, what would they be?
But of course, it depends so much on what you're shooting. what are you shooting?
Many wedding photographers carry 2 bodies simultaneously, one with a 24mm f/1.4 and the other with an 85mm f/1.4
Of course, you could instead get a 24-70mm f/2.8 and a 70-200mm f/2.8 and get a happy medium of speed, coverage, image qualitywww.VideoAbe.com
"If you’re really in favor of free speech, then you’re in favor of freedom of speech for precisely the views you despise. Otherwise, you’re not in favor of free speech." - Noam Chomsky
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