Thanks for the technical clarification Doug. In this context it's pretty vital that we shoot Slog, as the D/R of the scenes is often pushing things a lot between low-key scene lighting and bright follow spots etc, and the amount of shadow tonality in the scene worries me with 8-bit.
I completely agree with you re: I vs. L compression, I've done blind tests myself in the past and can never tell which is wihch. Hence the appeal, given it doubles the capacity of all my media!
Cheers,
jason
I completely agree with you re: I vs. L compression, I've done blind tests myself in the past and can never tell which is wihch. Hence the appeal, given it doubles the capacity of all my media!
Cheers,
jason
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