I haven't tried matching my Nikon D7000 to my Sony A6300, but if the interview took place indoors under controlled lighting, I'd set both cameras as close to Rec.709 as I could get them, gamma to ITU709 and color mode to Still on the Sony, and Standard profile with the contrast dialed down a bit on the Nikon. Setting a custom white balance off a gray card will help the cameras match in tint, but you'd really need a Macbeth chart to get the colors to match perfectly.
AVCHD has a fairly low bitrate, which might be similar to your Nikon's bitrate, but I'd still set the Sony to XAVC-S 100mbps to avoid compression artifacts on at least one camera.
Nikon Hackers released a bitrate hack for the older Nikon DSLRs, so I can record up to 64mbps on my D7000, but I don't think they ever had a hack for the D7100.
AVCHD has a fairly low bitrate, which might be similar to your Nikon's bitrate, but I'd still set the Sony to XAVC-S 100mbps to avoid compression artifacts on at least one camera.
Nikon Hackers released a bitrate hack for the older Nikon DSLRs, so I can record up to 64mbps on my D7000, but I don't think they ever had a hack for the D7100.
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