Announcement

Collapse
No announcement yet.

Lighting

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • Ryan Patrick O'Hara
    replied
    Originally posted by Beat Takeshi View Post


    What's going on with the edge to edge sharpness? Sides of the image hurts my eyes. Was this an adapter zoomed out?
    Rest of the stills look much better!

    Leave a comment:


  • Kholi
    replied
    Originally posted by SeanEmer View Post
    I agree! I enjoyed reading through everything thats been posted, and if this thread were stickied I bet even more people would post with their work.
    Exactly. I wanna see more setups!

    Leave a comment:


  • Jewlz the director
    replied
    great information that'll never get old.
    we need more,more i say..lol

    Leave a comment:


  • Guest's Avatar
    Guest replied
    I agree! I enjoyed reading through everything thats been posted, and if this thread were stickied I bet even more people would post with their work.

    Leave a comment:


  • ilauzirika
    replied
    Originally posted by Kholi View Post
    This thread should be stickied!
    I second that, this is a great informative thread that deserves the top of the page.

    Leave a comment:


  • Kholi
    replied
    This thread should be stickied!

    Leave a comment:


  • Guest's Avatar
    Guest replied
    thanks for the compliments! (btw: I love Spirited Away) Yeah, I always have scrims with me now. I shot that when I was still a video nerd. I've gaffed on 4 or 5 16mm short films since then, and I've learned a whole lot more about lighting in general, so my kit is much more complete now than it was then. If only I could get my hands on some of them fancy HMI balloons...

    Leave a comment:


  • puredrifting
    replied
    No scrimmage? Dude, you gotta get some. I love my scrims, they are used on every shoot. But good improv skills.

    Dan

    Leave a comment:


  • Guest's Avatar
    Guest replied
    I didn't have any scrims for that light and it was overpowering the key, so the CTB was added to kill 2 stops.

    Leave a comment:


  • puredrifting
    replied
    Nice stuff Sean. Just a question, why worry about CTB if you are in B&W?

    Good work.

    Dan

    Leave a comment:


  • Guest's Avatar
    Guest replied



    HVX200 with no adaptor. Girl was keyed by a 1k fresnel with 216(?) about 7 feet away. Man is keyed by 1K as well with the kicker light from a 350W fresnel high and to his right with 1/2 CTB. In the man's shot, a 200w light was flagged to light up the gun held by the girl.

    Leave a comment:


  • puredrifting
    replied
    Lookin' good on that setup, very dramatic and moody.

    Nice.

    Dan

    Leave a comment:


  • Gohanto
    replied
    Originally posted by Spartacus View Post
    Everything in frame is kind of washed with light, except for the side of the face.
    I believe that shadows, just as light, need some motivation.
    So here, the key is strong, the edge is strong, the BG is washed with light - why then is half of the face dark?
    So besides the eyelight, INMH the BG needed to be broken up or at least to be brought down two stops...
    Just my 2c of course !

    Hm, maybe it is just the contrast boost in post, that doesn´t sell it for me...
    Hmm, that's actually a very good point I hadn't noticed before. Thanks.

    Leave a comment:


  • Beat Takeshi
    replied




    I had a 1k softbox, 1 650w, 2 300w, 2 150w lights to create the mood and patterns of light on the walls. The motivation was the 2 practicals on each side of the bed embellished with a bit of style.

    Used the same set up to create these looks also.



    Leave a comment:


  • jansik
    replied
    Gohanto... You always should have some Eyelight... unless it is a special effect lighting

    Leave a comment:

Working...
X