I was wondering,
So you have a sequence of a scene you want to grade, but first you need to get the shots all look consistant as the reverses were done at a different time of day and on another lens.
What is your bullet-pointed order of things to do once you've put on your onlining gloves?
Do you match blacks first, then whites? Whether in AE, Premiere, Resolve, using Colorista or FCP's colour tools... Would love to see the steps you tend to take to get from offline to graded master sequence.
Cheers
So you have a sequence of a scene you want to grade, but first you need to get the shots all look consistant as the reverses were done at a different time of day and on another lens.
What is your bullet-pointed order of things to do once you've put on your onlining gloves?
Do you match blacks first, then whites? Whether in AE, Premiere, Resolve, using Colorista or FCP's colour tools... Would love to see the steps you tend to take to get from offline to graded master sequence.
Cheers
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