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Filming a car scene - mount recommendations

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    #16
    Originally posted by LoganMackay View Post
    The bounce and polarizing filter make a big difference for sure. I actually prefer the original as far as color goes though, I like the milky look.
    Yeah, milky is the new crushed blacks. But not for me. Shooting a comedy, colors need to be rich.
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      #17
      Awesome comparison PaPa. Have you tried using lights inside the car instead of bounce boards?

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        #18
        Yes, I've tried using the little on camera LED's i use for weddings. They are too hard imo, and slightly too green to mix well with the daylight. Bouncing always seemed much more natural. That is, of course, unless you can shoot hmi's from a truck towing the car going through some heavy diffusion.
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          #19
          The bounce coming from outside is motivated via a window- looks natural to me. Good job, I am going to show my students this.
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